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10th century History

10th century History Other board-Byzantium
3,689 Pins
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43 Sections
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Vika Bershadskaya
Радзивилловская летопись, л.21r битва болгарского царя Симеона с византийцами (914) или война Игоря с печенегами (наверху)Tекст из летописи:"... а болгаре со грекы ступишася,и пересечени быша грекы. Симеон же приа град Ондрень ...а Игоре воеваше на печенеги ..." (см.: Хроника Георгия Амартола; Истрин В.М.:Книгы временыя и образныя Георгия Мниха. Хроника Георгия Амартола в древнем славянорусском переводе.Т.1.Текст, исслед.и словарь.Пг.,1920,стр. 545-546;
Crucifixion with interlace. Jelling Stones, Denmark
The Leiden 1 Maccabees manuscript.Codex PER F 17.9v.By far the most important is Peroni F 17 1.This codex dates from the 1st half 10th cent.and contains the first book of Maccabees and the fourth book of the Epitoma Rei Militaris by Vegetius. It was probably started in the Abbey of Saint Gall and finished at the Abbey of Reichenau. Peroni F 17 2 is a younger manuscript dating from the 2nd half 15th cent.It contains an index and vocabulary on Vegetius's Epitoma Rei Militaris and excerpts.

10th century

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Ритуальный нож - секира 300 - 1000 Золото Музей золота Город Лима Принадлежит цивилизации Толима.
Beaker 10th-11th century Peru Culture: Lambayeque (Sicán) Gold 15.2 × 10.8 × 10.2 cm Credit Line: Jan Mitchell and Sons Collection, Gift of Jan Mitchell, 1991 Acc. Number: 1991.419.63.The Metropolitan Museum of Art.
AD 900-1100 Tumi Knife Sican, Peru About Copper, gold, silver, turquoise H-36 D-2 W-14©MIHO MUSEUM.

10th century Americas

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10th c.Manichaean temple banner (MIK III 6286) Museum of Asian Art, Dahlem, Steglitz-Zehlendorf, Berlin, Germany.Two Manichaean banners, from left to right: MIK III 6286 side 1; MIK III 6286 side 2; MIK III 6283 side 1. The images depicting Light Maiden Awaits the Righteous and Jesus Awaits the Righteous. An icon of enthroned Light Maiden depicted on the top of MIK III 6286 side 1; an icon of enthroned Jesus depicted on the top of MIK III 6286 side 2.
10th c.Manichaean temple banner (MIK III 6286) Museum of Asian Art, Dahlem, Steglitz-Zehlendorf, Berlin, Germany.Two Manichaean banners, from left to right: MIK III 6286 side 1; MIK III 6286 side 2; MIK III 6283 side 1. The images depicting Light Maiden Awaits the Righteous and Jesus Awaits the Righteous. An icon of enthroned Light Maiden depicted on the top of MIK III 6286 side 1; an icon of enthroned Jesus depicted on the top of MIK III 6286 side 2.
10th-11th c.Silk Textile Fragments with Scenes of Apotheosis,Excavated at Rayy, Dumbarton Oaks and Philadelphia Museum. Court and Cosmos:The Great Age of the Seljuqs.Интереснейший экспонат выста�вки-так называемый "буидский шелк",где изображен самый ранний средневековый двуглавый орел 10-11 вв. Сохранился он плохо, но двуглавого орла разглядеть можно, эти куски шелка нашли в погребениях рядом с Реем, столицей сельджуков.

10th century Asia & North Africa

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Buddhist Monastery by Streams and Mountains.Juran (巨然,fl.later half of 10th c.) a native of either Zhongling(modern Nanchang in Jiangxi)or Jiangning (modern Nanjing in Jiangsu),was a monk at the Kaiyuan Temple who originally specialized in painting the southern scenery of Jiangnan (south of the Yangtze River).A student of Dong Yuan(董源),he followed the vanquished Li Houzhu of the Southern Tang to the newly established Song dynasty capital of Bianjing (Kaifeng in Henan)in 975.
Storied Mountains and Dense Forests.Juran (巨然,fl.later half of 10th c.) a native of either Zhongling(modern Nanchang in Jiangxi)or Jiangning (modern Nanjing in Jiangsu),was a monk at the Kaiyuan Temple who originally specialized in painting the southern scenery of Jiangnan (south of the Yangtze River).A student of Dong Yuan(董源),he followed the vanquished Li Houzhu of the Southern Tang to the newly established Song dynasty capital of Bianjing (Kaifeng in Henan)in 975.
Night Revels of Han Xizai.Detail of handscroll (hand washing scene), ink & colors on silk, 28.7x335.5 cm.Gu Hongzhong (active 943-960)

10th century China

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Emperor Zhuangzong of Later Tang (後唐莊宗), personal name Li Cunxu (李存朂 or 李存勗 or 李存勖; Lǐ Cúnxù),nickname Yazi (亞子), was the Prince of Jin (908-923) and later became Emperor of Later Tang (923-926), of the Five Dynasties and Ten Kingdoms Period of Chinese history.He was the son of Li Keyong, a Shatuo Jiedushi of Tang dynasty.Emperor Zhuangzong of the Later Tang dynasty. Hanging scroll, color on silk. Size 272.2 x 127.8 cm (height x width). Painting is located in the National Palace Museum, Taipei.
Dinar minted in 953-954 in Al-Mansuriya, Tunisia Фатимидский динар,напечатанный в 954 в Мансурии.Абу Тахир Исмаил ибн аль-Каим аль-Мансур Биллах, известный как аль-Мансур (914,Раккада-953,Махдия) 3-й халиф Фатимидского халифата,13-й имам исмаилитов.Сын 2-го фатимидского халифа аль-Каима и берберской наложницы Калимы.Правление аль-Мансура поч�ти целиком попало на период хариджитского восстания под руководством Абу Язида.946-953.
Oshki - David of Tao, 966-973.Oshki (Georgian: ოშკი Oshki, Turkish: Oşkvank Manastırı/Çamlıyamaç) is a Georgian monastery from the 2nd half of the 10th c. located in the historic province of Tao,now part of the territory of Turkey,in the village of Çamlıyamaç,in northeastern Erzurum Province,bordering Artvin Province.The main church,dedicated to St John the Baptist,was built between 963 and 973.Oshki monastery was a major centre of Georgian literature and enlightenment during the Middle Ages.

10th c.Rulers of Asia & North Africa

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Bowl with Lustre Decoration POT 1580 Iraq 9th or 10th century AD buff-bodied earthenware, with monochrome lustre decoration over an opaque white glaze 8 x 26cm Like the golden lustre, the decoration, with alternating panels of birds and palmettes, is a deliberate reminiscence of vessels made in precious metal for the Abbasid court under the influence of the revival there of Sasanian ceremonial and iconography. The birds with buds in their beaks and royal streamers are common motifs on silver
Large bowl.London, United Kingdom. Khalili Family Trust – Nasser D.Khalili Collection of Islamic Art.10th-11th cent. Inv. Number:POT 1623 Earthenware, painted in purplish-black and red slips under a colourless glaze 16.3 x 41cm Period Abbasid / Samanid Provenance:Iran, Nishapur
Чаша из могильника Нижняя Стрелка (1) и аналогии изображению на ней в керамике Тохаристана и Ирана (2–5) (по Дж.Я. Ильясову, 2013). Fig. 2. A chalice from Nizhniaia Strelka burial ground (1) and counterparts of its image in Tokharistanand Iran ceramics (2-5) (after G.Ya. Iliasov, 2013)

10th century Ceramic Asia & North Africa

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907-1125 Animal-headed vase Liao dynasty, Green-glazed ceramic H: 37 cm.From Liao tomb at Guojiatun Tuquan County, Xingan League Image courtesy of the Inner Mongolian Museum, Huhehaote (copyright reserved) Many ceramics produced for Liao consumption reflect what may be called a classically Chinese shape, proportion and glaze pattern designs. Some, however, such as this example, demonstrate the influence of other cultures, particularly those of China's northwest and of Central Asia.
Vase, high fired stoneware with carved decoration under celadon glaze, China PHYSICAL DESCRIPTION Vase of high-fired stoneware, inverted pear-shaped with short neck. Carved with bands of lotus petals radiating downwards from the shoulder, under a crackled celadon-green glaze. DIMENSIONS Height: 21.9cm Diameter: 14.3cm STYLE Northern Song OBJECT HISTORY Formerly in the collection of A. L. Hetherington. PRODUCTION label SUBJECTS DEPICTED Lotus Petal 蓮瓣紋 蓮瓣 COLLECTION East Asia Col

10th century Ceramic China, Korea

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9th-10th c.Crystal Flask Rock crystal was one of the most treasured materials at the Fatimid court.Imported from afar,the material was endowed with magical properties.Because of the hardness of the material,carving such smoothly beveled vegetal designs in rock crystal required tremendous skill and patience.This flask probably served as a perfume container. Attributed to Egypt Rock crystal; carved and drilled 5.1 cm Acc.Number:31.18.1.The Metropolitan Museum of Art.
Bottle 9th-10th century Attributed to Iran, probably Gurgan Glass;blown,cut decoration H.22.9 cm Max.Diam.8 cm Accession Number: 48.130.The Metropolitan Museum of Art.
Bergkristallkrug, fatimidisch, 10.–11. Jh., Fassung 1854, Keir Collection

10th century Glass rock crystal Asia & North Africa

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Muktesvara deula-10th-century Hindu temple in Bhubaneshwar, Khordha district, Central division, Odisha, India.
Bhagavan Bahubali - Category:Gommateshvara Statue (full view) - Wikimedia Commons
Banteay Srei (Banteay Srey)a 10th c.temple of Khmer architecture dedicated to the Hindu god Shiva.Angkor in Cambodia,25 km north-east of the main group of temples that once belonged to the medieval capitals of Yasodharapura&Angkor Thom.Angkor-the region of Cambodia serving as the seat of the Khmer empire that flourished from c.the 9th c.to the 15th c.The temples of the Angkor area number over 1000.

10th century Places Asia & North Africa

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Sanahin Monastery-an Armenian monastery founded in the 10th c.Lori Province,Armenia. Его возникновение,согл.легендам,отн.к IV в.Ц-вь Аствацацин (ц-вь Богоматери) построена в 951.Остальные здания датируются X-XIIIвв.Рядом с ц-вью Аствацацин возведена её увеличен.копия -храм Аменапркич(храм Всеспасителя). Здания соедин�или перекрытием; образовавш.галерее дали имя Григора Магистроса.
Church Sourb Nshan.Haghpat Monastery, Haghpat,Lori Province.Armenia,founded-10th c.Ц-вь Сурб Ншан (Св.Знамения,972-991,1016)с притвором (1185,1209) основана царицей Хосровануш,женой армян.царя Ашота III Багратуни.В 1223 мон-рь обнесён крепост.стенами с башнями.В него вошли:ц-вь Сурб Григор Лусаворич(Св.Григория Просветителя), постр.в 1005,перестр.в 1211,купольная ц-вь Сурб Аствацацин или Хатунашен, постр.в 1025,гавит Амазаспа(1257), усыпальница рода Уканянц,1273, книгохранилище-1258-62.
Sanahin Monastery-an Armenian monastery founded in the 10th c.Lori Province,Armenia. Его возникновение,согл.легендам,отн.к IV в.Ц-вь Аствацацин (ц-вь Богоматери) построена в 951.Остальные здания д�атируются X-XIIIвв.Рядом с ц-вью Аствацацин возведена её увеличен.копия -храм Аменапркич(храм Всеспасителя). Здания соединили перекрытием; образовавш.галерее дали имя Григора Магистроса.

10th century Armenian monasteries and churches

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974-997 Anonymous (Faras) Bishop Petros with St Peter the Apostle tempera on plaster 244.5×113×5cm National Museum in Warsaw Acc.n.234031.Greek inscription:Saint (Peter) the Apostle Martyr of the Cross/ Father Petros Bishop Metropolitan of Pakhoras (Faras)/(may he live)many years. Fragment from the Chapel of the Bishops. Епископ Петрос под защитой св.Петра, Фарас,4 четв.Х в.,темпера по штукатурке Faras Gallery.Petros I-епископ и митрополит Фараса,принадлежащий к мон�офизитам,занимал пост в 974-99
Tropaire,prosaire et graduel de St-Sauveur de Prüm.Atelier du monastère de Prüm en Allemagne.In use in Benedictine monasteries, the rule of St Benedict prescribes to the monks,as daily tasks, individual or common reading,study and copying of manuscripts.In the middle of the 8th century,Pépin Le Bref imposed this rule on the regular clergy.
Erik the Red discoverer of Greenland c.950 Norway-1003 Brattahlíð.explorer.Father-Thorvald Asvaldsson.Child-Leif Erikson, Thorvald Eiriksson,Thorstein Eiriksson, Freydís Eiríksdóttir.Eric the Red (950-1003/4)(vellum) by Danish School (17th c.) Arnamagnaean Collection, Denmark / The Bridgeman Art Library XTD194446 Danish, out of copyright 1600s

People of the 10th century

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Збру́чский и́дол-славянский каменный идол,найденный у с.Гусятин(Тернопольск. обл.,Украина)в реке Збруч(приток Днестра)в 1848.Идол-четырёхгр.столб выс.2,67м из известняка.Столб разделён на 3 яруса,на каждом из к-рых высечены различн.изображения.Нижн.ярус изобр. подземн.божество,средний-мир людей, верхний-богов.Дата созд.-приблизит.Xв. Идол был установлен на тер-рии святилища,на горе Бохит.Краковский археологический музей.В Москве,Киеве, Гродно,Варшаве,Вильнюсе,Одессе и Тернополе-копии.
Збру́чский и́дол-славянский каменный идол,найденный у с.Гусятин(Тернопольск. обл.,Украина)в реке Збруч(приток Днестра)в 1848.Идол-четырёхгр.столб выс.2,67м из известняка.Столб разделён на 3 яруса,на каждом из к-рых высечены различн.изображения.Нижн.ярус изобр. подземн.божество,средний-мир людей, верхний-богов.Дата созд.-приблизит.Xв. Идол был установлен на тер-рии святилища,на горе Бохит.Краковский археологический музей.В Москве,Киеве, Гродно,Варшаве,Вильнюсе,Одессе и Тернополе-копии.
Збру́чский и́дол-славянский каменный идол,найденный у с.Гусятин(Тернопольск. обл.,Украина)в реке Збруч(приток Днестра)в 1848.Идол-четырёхгр.столб выс.2,67м из известняка.Столб разделён на 3 яруса,на каждом из к-рых высечены различн.изображения.Нижн.ярус изобр. подземн.божество,средний-мир людей, верхний-богов.Дата созд.-приблизит.Xв. Идол был установлен на тер-рии святилища,на горе Бохит.Краковский археологический музей.В Москве,Киеве, Гродно,Варшаве,Вильнюсе,Одессе и Тернополе-копии.

10th century ivory, stone

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Сабля Х-ХII вв. Железо, бронза, позолота. Длина 90 см. Северная Осетия, ст.Змейская, катакомба 14. Раскопки Е.И.Крупнова и В.А.Кузнецова. 1957 г. ГИМ 96299. Б 1099/957
La Majeste de sainte Foy-statue of a saint, a young woman who died a martyr in the early 4th cent.9th century,with gothic additions; gilded silver,copper,enamel,rock crystal and precious stones,cameos;wooden core. The Reliquary of Sainte-Foi, Conques, France.
French Reliquary Effigy of St Foy 983-1013 UNKNOWN GOLDSMITH,Gold and silver gilt over a wooden core, height 85cm Church Treasury, Conques.La Majeste de sainte Foy-statue of a saint, a young woman who died a martyr in the early 4th cent.9th century, with gothic additions;gilded silver,copper, enamel, rock crystal and precious stones, cameos; wooden core. The Reliquary of Sainte-Foi, Conques, France.

10th century metalwork

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San Millán Beatus.was produced in 2 phases.The 1st seems to have been in the Province of Leon at the end of the 10th c.-this created the core of the text and most of the miniatures.The 2nd phase occurred at the Monastery of San Millán de la Cogolla in La Rioja,probably at the end of the 11th c.-this added colour to the existing miniatures and produced one new miniature.Real Academia de la Historia.Madrid.Cod Emil.33.copy of the commentary of the Commentary on the Apocalypse by Beatus of Liébana.
BEATO DE SAN MILLÁN, DE LA REAL ACADEMIA DE LA HISTORIA - Biblioteca Gonzalo de Berceo
San Millán Beatus.was produced in 2 phases.The 1st seems to have been in the Province of Leon at the end of the 10th c.-this created the core of the text and most of the miniatures.The 2nd phase occurred at the Monastery of San Millán de la Cogolla in La Rioja,probably at the end of the 11th c.-this added colour to the existing miniatures and produced one new miniature.Real Academia de la Historia.Madrid.Cod Emil.33.copy of the commentary of the Commentary on the Apocalypse by Beatus of Liébana.

Beatus manuscript written in the 8th c. by the Spanish monk Beatus of Liébana and copied and illustrated in works called Beati during the 10th and 11th c

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10th-c.The Escorial Beatus (Library of the monastery of El Escorial,Cod.&II.5) manuscript of the Commentary on the Apocalypse by Beatus of Liébana.The illuminations of the manuscript show similarities in style to those produced by Florentius,the artist responsible for a copy of the Moralia in Job of Pope Gregory I (Madrid, Bibl.Nacional,Cod.80).probably created at the monastery at San Millán de la Cogolla.151extant folios.52 surviving miniat.Woman of the Apocalypse's child is taken up to heaven.
10th-c.The Escorial Beatus (Library of the monastery of El Escorial,Cod.&II.5) manuscript of the Commentary on the Apocalypse by Beatus of Liébana.The illuminations of the manuscript show similarities in style to those produced by Florentius,the artist responsible for a copy of the Moralia in Job of Pope Gregory I (Madrid, Bibl.Nacional,Cod.80).probably created at the monastery at San Millán de la Cogolla.151extant folios.52 surviving miniat.Angels receiving seven bowls.
Siglo X. El pecado original, Beato de El Escorial, Real Biblioteca del Monasterio de San Lorenzo de El Escorial, Madrid (detalle)

10th Beatus of Escorial Library of the monastery of El Escorial Cod &II.5

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1047.Beatus de Facundus.La première Trompette. Apoc.VIII. Enluminure sur parchemin.210x100mm. Madrid, Biblioteca Nacional, Ms Vit.14.2, f163v.
1047. Beatus de Facundus, pour Ferdinand Ier de Castille et Leon et la reine Sancha.La Jérusalem nouvelle.Le Fleuve de Vie.L'Arbre de Vie. Apoc. XXII. Enluminure sur parchemin.300 x 210 mm. Madrid, Biblioteca Nacional, Ms Vit.14.2, f254.
Небесный Иерусалим 11 век Национальная библиотека Мадрид Комментарий на Апокалипсис Беатуса Лиебанского (6). Собор Сан Изидоро, Леон.

1047 Beatus de Facundus Madrid Biblioteca Nacional Spain Ms Vit.14.2

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c.975.Ende (fl10th c.)y Emeterius. F 052v-53r.Beato de Gerona, Pergamino. Girona Cathedral.The Gerona Beatus is a 10th-cent. illuminated manuscript currently preserved in the library of Girona Cathedral,in Catalonia, (Spain).The manuscript comprises two texts:the Commentary on the Apocalypse by Beatus of Liébana, a late eighth-century exegesis of the Book of Revelation widely-read in the Christian regions of 10th-cent.Spain, and Jerome’s commentary on the Book of Daniel.

c.975 Beatus of Gerona library of Girona Cathedral Catalonia

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Beatus d'Osma.Ms 7 f 108. Locusts of Apocalypse. Museo da Catedral de Burgo de Osma. Spain. Beatus d'Osma est un manuscrit enluminé contenant notamment un commentaire de l'Apocalypse de Beatus de Liébana, écrit et peint vers 1086. Il contient 71 enluminures mélangeant le style des Beatus à l'enluminure romane.
Beatus Osma by jwyg, via Flickr
Beatus d'Osma.Ms 7 f 70. Museo da Catedral de Burgo de Osma. Spain. Beatus d'Osma est un manuscrit enluminé contenant notamment un commentaire de l'Apocalypse de Beatus de Liébana, écrit et peint vers 1086. Il contient 71 enluminures mélangeant le style des Beatus à l'enluminure romane.

c.1086 Beatus d'Osma Ms 7 Museo da Catedral de Burgo de Osma Spain

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The Saint-Sever Beatus,also known as the Apocalypse of Saint-Sever(Paris,BNF,MS lat. 8878) is a French Romanesque illuminated Apocalypse manuscript from the 11th C. f. 077v -To the Church in Philadelphia.
BNF Latin 8878, f 1r Beatus a Liebana , Commentarius in Apocalypsin. | Gallica.Le ms. tient une place à part dans la tradition du commentaire de Beatus, puisqu'il offre d'une part un texte de la première version, et d'autre part un cycle pictural qui l'apparente aux manuscrits des troisième et quatrième versions, ainsi que sa présentation en recueil accompagné des Préliminaires et du Commentaire de s. Jérôme sur Daniel.
The Saint-Sever Beatus, also known as the Apocalypse of Saint-Sever, (Paris, Bibliothèque Nationale, MS lat. 8878) is a French Romanesque illuminated Apocalypse manuscript from the 11th Century.Frontispice-du-Beatus medium. fol. 1, dédicace.

11th Beatus of Saint-Sever Paris Bibl. Nationale MS lat 8878

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Beati in Apocalipsin libri duodecim.page 294. Beato Emilianense Vit/14/1,es considerado el más antiguo encontrado, de ahí que se le llame también Beato Primero de la Biblioteca Nacional. Es uno de los dos beatos que conserva el texto de la versión original del comentario de Beato de Liébana datada en el 776.Data de principios del siglo X.Desde el siglo XII al XIV permaneció en el Monasterio de San Millan de la Cogolla.29 miniat. de marcada fuerza expresiva y colorismo primitivo.
Beati in Apocalipsin libri duodecim.page 204. Beato Emilianense Vit/14/1,es considerado el más antiguo encontrado, de ahí que se le llame también Beato Primero de la Biblioteca Nacional.Es uno de los dos beatos que conserva el texto de la versión original del comentario de Beato de Liébana datada en el 776.Data de principios del siglo X.Desde el siglo XII al XIV permaneció en el Monasterio de San Millan de la Cogolla.29 miniat. de marcada fuerza expresiva y colorismo primitivo.4th Trumpet 5th Tr
Beati in Apocalipsin libri duodecim.page 262. Beato Emilianense Vit/14/1,es considerado el más antiguo encontrado,de ahí que se le llame también Beato Primero de la Biblioteca Nacional. Es uno de los dos beatos que conserva el texto de la versión original del comentario de Beato de Liébana datada en el 776.Data de principios del siglo X.Desde el siglo XII al XIV permaneció en el Monasterio de San Millan de la Cogolla.29 miniat. de marcada fuerza expresiva y colorismo primitivo.

10th Ms. Vit. 14.1 Biblioteca Nacional de España Beatus of San Millan de la Cogolla

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Adam, Eve and the Serpent, Beatus of Liébana, Commentaria in Apocalypsin (the 'Silos Apocalypse'), Santo Domingo de Silos 1091-1109 (BL, Add. 11695, fol. 40r)
The Art of Medieval Spain, A.D. 500-1200 - Jerrilynn D. Dodds, Metropolitan Museum of Art (New York, N.Y.) - Google Книги
BL Add 11695 f 216 John at the angel's feet Spain,N. Silos Apocalypse. This commentary on the Apocalypse was made by monks at the Spanish abbey of Santo Domingo de Silos, being started in AD 1091 and completed in 1109. Christ in Majesty and St John prostrating himself at the angel's feet; below St John and seven arches corresponding to seven churches, each identified by an inscription (Revelation 22:6-21).

11th Beatus de Silos BL Add MS 11695

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10th c.(975,1000) Urgell Beatus.El Beato de Urgel.Beatus manuscript,Commentary on the Apocalypse.Ms. 26 (Museo Diocesano de Urgel). Lérida, (España).Le Festin de Balthazar (Daniel, 7) f 219.
10th c.(975,1000) Urgell Beatus.El Beato de Urgel.Beatus manuscript,Commentary on the Apocalypse.Ms.26 (Museo Diocesano de Urgel). Lérida, (España). Lérida, (España).f° 19.The Lord in the cloud.
10th c.(975,1000) Urgell Beatus.El Beato de Urgel.Beatus manuscript,Commentary on the Apocalypse.Ms.26 (Museo Diocesano de Urgel). Lérida, (España). 208v.Siège et prise de Jérusalem par Nabuchodonosor (1) (Jérémie, 52)Horseshoe arches.

c.975 Beatus of Urgell Ms.26 Museo Diocesano de Urgel Lérida

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Valcavado Beatus f. 131r.Woman and dragon.The Beato of Valcavado is an illuminated manuscript-copies of the Commentary on the Apocalypse of Saint John of Beatus of Liébana-copied by a monk called Oveco in the year 970, in the now-vanished Our Lady of Valcavado monastery in Palencia.It is held in the collection of the Santa Cruz Palace.

c.970 Beatus of Valcavado Santa Cruz Palace Valladolid

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Majestas Domini с символами евангелистов; Франция; Xв.; Англия. Лондон. Британский музей; 10.5 x 28.5 см.; кость; резьба по кости.
Распятие. Жены-мироносицы у Гроба Господня. Сошествие во ад, Вознесение, Христос во Славе. Накладка обложки рукописной книги.; Германия. Нижний Рейн; X в.; местонахождение: Англия. Лондон. Музей Виктории и Альберта; 9.8 x 22.5 см.; материал: кость; техника: резьба по кости
This ivory panel was made for a liturgical book such as a Sacramentary. It depicts St Gregory at his writing desk. Inspired by the Holy Spirit (symbolised by the dove on his shoulder) he is writing the Canon of the Mass. Three scribes below carry on the copying the liturgical text. This cover is one of a group of three produced by the same artist.

10th c Book covers

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Junius Manuscript.The manuscript was made in two segments-one part was made c.1000 and the other in the 1st half of the 11th c. © Bodleian Library, University of Oxford MS Junius 11. Падение Люцифера и его воинства.Около 1000 Библиотека Бодлейан Оксфорд Генезис Кэдмона. Ms. Junius 11,f.16.
Ангелы перед Творцом.Около 1000. Библиотека Бодлейан. Оксфорд. Генезис Кэдмона. Ms. Junius 11,f.2.Junius Manuscript.The manuscript was made in two segments-one part was made c.1000 and the other in the 1st half of the 11th c. © Bodleian Library, University of Oxford MS Junius 11.
Творец и падшие ангелы.Около 1000 Библиотека Бодлейан Оксфорд.Генезис Кэдмона. Ms. Junius 11,f.17.Junius Manuscript.The manuscript was made in two segments-one part was made c.1000 and the other in the 1st half of the 11th c. © Bodleian Library, University of Oxford MS Junius 11.

Junius manuscript Bodleian Library MS Junius 11 c.1000 10th c.

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