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Painting Figure

3,100 Pins

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Robert Rauschenberg "Booster."

Robert Rauschenberg - Carnegie Hall, 1990 lithograph 60 x 40 inches

Robert Rauschenberg , Harbor

Robert Rauschenberg

Ultimate Facepainting: Historical Paintings Recreated on Human Skin by Chadwick

Chadwick Gray and Laura Spector

The Life and Times of an Aging Superhero Captured in Oil Paintings by Andreas Englund

Andreas Englund

Speed Painting Timelapse by Lora Zombie

Lora Zombie

Ethereal Oil Paintings by Meghan Howland

Meghan Howland

Diogo Hornburg

Diogo Hornburg

Dawit Abebe X Privacy 2

Dawit Abebe X Privacy 3

Dawit Abebe X Privacy 4

Dawit Abebe

new work by samantha french <3

Anon Nokomis

Andy Warhol ‘Marilyn Diptych’, 1962 Acrylic paint on canvas Marilyn Monroe died in August 1962. In the following four months, Warhol made more than twenty silkscreen paintings of her, all based on the same publicity photograph from the 1953 film Niagara. Warhol found in Monroe a fusion of two of his consistent themes: death and the cult of celebrity. By repeating the image, he evokes her ubiquitous presence in the media.

Andy Warhol

Max Ernst ‘Celebes’, 1921 The central rotund shape in this painting derives from a photograph of a Sudanese corn-bin, which Ernst has transformed into a sinister mechanical monster. Ernst often re-used found images, and either added or removed elements in order to create new realities, all the more disturbing for being drawn from the known world.

Max Ernst

jenny morgan

Jenny Morgan

louis boudreault

Louis Boudreault

Tilo Uischner

Tilo Uischner

Natasha Law

I need a guide

Joel Rea

I need a guide

I need a guide

I need a guide

Tristan Pigott

Polípticos | Hernán Cortés Moreno

Hernán Cortés Moreno

beautiful blue painting by Keren Richter | Life in Color

Keren Richter

ROBERT LONGO

Robert Longo

I need a guide

I need a guide

Matt R. Martin

Neo Rauch » KalimunaDavid Zwirner

Neo Rauch

Paul Cézanne ‘The Gardener Vallier’, c.1906 Vallier was the gardener and odd-job man at Cézanne's house near Aix-en-Provence. It follows Cézanne's method of capturing the exact tone of each element – both the shade of colour and its degree of luminosity – in distinct but overlapping brushstrokes, sometimes reflecting slight shifts in the artist’s perspective.

Paul Cézanne

Amedeo Modigliani ‘Madame Zborowska’, 1918 An extreme elongation of the female form is seen in Modigliani`s portrait of Hanka Zborowska,a friend and the wife of his dealer. The style embodies his own vision of beauty, but it derives from his interest in a wide variety of arts then considered to be `primitive`, including African carvings and Cambodian sculptures, as well as the thirteenth-century paintings and sculpture of his native Italy.

Amedeo Modigliani

André Derain ‘Henri Matisse’, 1905 Under Matisse’s influence, Derain had begun to use strong, non-naturalistic colours, applied in small separate brushstrokes, to convey the sensations of light and shade. Their radical use of colour led critics described them and their associates as ‘Fauves’ or wild beasts, and ‘Fauvism’ became an important parallel to the rise of Expressionism in Germany.

André Derain

Edvard Munch ‘The Sick Child’, 1907 The Sick Child touches on the fragility of life. It draws upon Munch’s personal memories, including the trauma of his sister’s death, and visits to dying patients with his doctor father. He described the 1885 painting as ‘a breakthrough in my art’ and made several subsequent versions, of which this is the fourth.

Edvard Munch

900+ Painting Figure ideas | painting, artist, art