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Noyon has long been a religious center - the present cathedral is the fifth to be built on this site. Both Charlemagne (768) and Hugh Capet (987) were coronated in Noyon Cathedral.    Begun in 1150 and completed by 1290, the present Noyon Cathedral replaced a predecessor that was destroyed by fire in 1131. It is considered a harmonious example of the transition from the Romanesque to Gothic style, and is one of the earliest Gothic cathedrals to be built in France.

Noyon has long been a religious center - the present cathedral is the fifth to be built on this site. Both Charlemagne (768) and Hugh Capet (987) were coronated in Noyon Cathedral. Begun in 1150 and completed by 1290, the present Noyon Cathedral replaced a predecessor that was destroyed by fire in 1131. It is considered a harmonious example of the transition from the Romanesque to Gothic style, and is one of the earliest Gothic cathedrals to be built in France.

Bamberg Cathedral is a church in Bamberg, Germany, completed in the 13th century. The cathedral is a late Romanesque building with four imposing towers. It was founded in 1002 by emperor  Henry II, finished in 1012 and consecrated on May 6, 1012. It was partially destroyed by fire in 1081. The new cathedral built by St. Otto of Bamberg, was consecrated in 1111, and in the 13th century received its present late-Romanesque form.

Bamberg Cathedral is a church in Bamberg, Germany, completed in the 13th century. The cathedral is a late Romanesque building with four imposing towers. It was founded in 1002 by emperor Henry II, finished in 1012 and consecrated on May 6, 1012. It was partially destroyed by fire in 1081. The new cathedral built by St. Otto of Bamberg, was consecrated in 1111, and in the 13th century received its present late-Romanesque form.

Catedral de Amiens Su construcción se inició en 1220, sobre otra anterior de arquitectura románica destruida por un incendio. Construida bajo la influencia estilística de Notre-Dame de París y Notre-Dame de Chartres, es la mayor y más alta de todas las catedrales góticas francesas cerca del máximo soportable para este tipo de arquitectura (42,3 m). Patrimonio de la Humanidad UNESCO (1981)

Catedral de Amiens Su construcción se inició en 1220, sobre otra anterior de arquitectura románica destruida por un incendio. Construida bajo la influencia estilística de Notre-Dame de París y Notre-Dame de Chartres, es la mayor y más alta de todas las catedrales góticas francesas cerca del máximo soportable para este tipo de arquitectura (42,3 m). Patrimonio de la Humanidad UNESCO (1981)

La catedral de León es una de las catedrales españolas que mejor representa la pureza y unidad del estilo gótico, con una profunda influencia francesa. Su construcción data del siglo XIII. En la imagen se contempla su fachada occidental, con un pórtico triple similar al de la catedral de Reims, con rosetón central, y flanqueada por dos torres góticas, de diferente forma y altura. Fijense que esta catedral también podemos obser los 3 portales simbolismo de la santisima trinidad.

La catedral de León es una de las catedrales españolas que mejor representa la pureza y unidad del estilo gótico, con una profunda influencia francesa. Su construcción data del siglo XIII. En la imagen se contempla su fachada occidental, con un pórtico triple similar al de la catedral de Reims, con rosetón central, y flanqueada por dos torres góticas, de diferente forma y altura. Fijense que esta catedral también podemos obser los 3 portales simbolismo de la santisima trinidad.

019-EARLY GOTHIC, France - interior elevation, Noyon Cathedral, 1145-1235. Noyon retains its transept arms with rounded ends and the three-storeyed elevation of the imposing Romanesque churches of Normandy incorporating deep galleries, but the wall articulation was enlivened by the introduction of an additional fourth storey, a triforium or low wall-passage between the gallery and the clerestory.

019-EARLY GOTHIC, France - interior elevation, Noyon Cathedral, 1145-1235. Noyon retains its transept arms with rounded ends and the three-storeyed elevation of the imposing Romanesque churches of Normandy incorporating deep galleries, but the wall articulation was enlivened by the introduction of an additional fourth storey, a triforium or low wall-passage between the gallery and the clerestory.

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