GEORGIAN/early VICTORIAN natural seed pearl  brooch with gut on mother-of-pear backing set in gold filled setting, circa  1840, 1-1/2 by 1-1/4. This delicate piece is not missing a single tiny pearl  and is in amazing condition, a great example of the hand work that makes these  so desirable.                  It is interesting that seed pearls were used in different ways as the  	decades progressed. In Victorian jewelry it was set in gold, onyx and jet,  	where the seed pearls were often…

GEORGIAN/early VICTORIAN natural seed pearl brooch with gut on mother-of-pear backing set in gold filled setting, circa 1840, 1-1/2 by 1-1/4. This delicate piece is not missing a single tiny pearl and is in amazing condition, a great example of the hand work that makes these so desirable. It is interesting that seed pearls were used in different ways as the decades progressed. In Victorian jewelry it was set in gold, onyx and jet, where the seed pearls were often…

antique seed pearl jewelry, brooches

antique seed pearl jewelry, brooches

Clasp of VICTORIAN Seed Pearl Bridal Necklace, c. 1850

Clasp of VICTORIAN Seed Pearl Bridal Necklace, c. 1850

GEORGIAN/EARLY  	VICTORIANcut steel daisy motif set: the necklace is 18 by 1-1/3, the  	bracelet 7 by 1-1/3, early to mid-1800's. Polished steel faceted studs  	were riveted to a steel backing to fashion this type of jewelry.This  	set is particularly pristine and especially brilliant as each tiny stud has  	12 facets. See Clifford's Cut-Steel  Berlin Iron Jewellery, plate II  	(possible attribution to Frichot); Romero's Warman's Jewelry, Ed. 3 page 33;  	Benette  Mascetti's Understanding…

GEORGIAN/EARLY VICTORIANcut steel daisy motif set: the necklace is 18 by 1-1/3, the bracelet 7 by 1-1/3, early to mid-1800's. Polished steel faceted studs were riveted to a steel backing to fashion this type of jewelry.This set is particularly pristine and especially brilliant as each tiny stud has 12 facets. See Clifford's Cut-Steel Berlin Iron Jewellery, plate II (possible attribution to Frichot); Romero's Warman's Jewelry, Ed. 3 page 33; Benette Mascetti's Understanding…

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