Margery Ordway, full-length portrait, standing, facing front, with motion picture camera, at Camp Morosco.  Photoplay. Chicago : Photoplay magazine publishing company, etc., 1916 Oct., p. 103.  American women: a Library of Congress guide for the study of women's history and culture in the United States / edited by Sheridan Harvey ... [et al.]. Washington : Library of Congress, 2001, p. 310.  – this image can also be found here- http://www.loc.gov/loc/lcib/0201/herstory.html

Margery Ordway, full-length portrait, standing, facing front, with motion picture camera, at Camp Morosco. Photoplay. Chicago : Photoplay magazine publishing company, etc., 1916 Oct., p. 103. American women: a Library of Congress guide for the study of women's history and culture in the United States / edited by Sheridan Harvey ... [et al.]. Washington : Library of Congress, 2001, p. 310. – this image can also be found here- http://www.loc.gov/loc/lcib/0201/herstory.html

David C. Garrett discusses more techniques for idea generation in film and television in Part 3 of his series on developing movie ideas.

David C. Garrett discusses more techniques for idea generation in film and television in Part 3 of his series on developing movie ideas.

Martin Scorsese behind the scenes of his first feature Who’s That Knocking At My Door (1967)   watch it here

Martin Scorsese behind the scenes of his first feature Who’s That Knocking At My Door (1967) watch it here

Arri se adentra en el cine con resolución 6K de la mano de su nueva Alexa 65

Arri se adentra en el cine con resolución 6K de la mano de su nueva Alexa 65

"You think everyone's gone?" "Trust me, Cass, no one's going to notice two people here trying to kiss each other stupid."

"You think everyone's gone?" "Trust me, Cass, no one's going to notice two people here trying to kiss each other stupid."

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