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The Triumph of Divine Love, about 1626-33, woven in Brussels by Jan Raes I, Hans Vervoert, and Jacob Fobert after designs by Peter Paul Rubens, wool and silk. Image courtesy of and © Patrimonio Nacional, Monasterio de las Descalzas Reales, Madrid

The Triumph of Divine Love, about 1626-33, woven in Brussels by Jan Raes I, Hans Vervoert, and Jacob Fobert after designs by Peter Paul Rubens, wool and silk. Image courtesy of and © Patrimonio Nacional, Monasterio de las Descalzas Reales, Madrid

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens. One of the few paintings known to have been painted before he left Antwerp for Italy in May 1600.

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens. One of the few paintings known to have been painted before he left Antwerp for Italy in May 1600.

Peter Paul Rubens, The Triumph of the Church. Oil on canvas, 63,5 x 105 cm, Ca. 1625. Madrid, Museo Nacional del Prado

Peter Paul Rubens, The Triumph of the Church. Oil on canvas, 63,5 x 105 cm, Ca. 1625. Madrid, Museo Nacional del Prado

Festoon of fruit & flowers, detail, c.1660 - Jan Davidsz de Heem #art #painting #Dutch_Baroque

Festoon of fruit & flowers, detail, c.1660 - Jan Davidsz de Heem #art #painting #Dutch_Baroque

COMMODE En placage de bois de loupe, bois noirci et encadrements Elle ouvre à quatre tiroirs sur trois rangs. Montants antérieurs à pans arrondis Traverse antérieure chantournée Plateau de marbre rouge veiné de blanc (réparé) Époque Louis XIV, travail probablement du Dauphiné

COMMODE En placage de bois de loupe, bois noirci et encadrements Elle ouvre à quatre tiroirs sur trois rangs. Montants antérieurs à pans arrondis Traverse antérieure chantournée Plateau de marbre rouge veiné de blanc (réparé) Époque Louis XIV, travail probablement du Dauphiné

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