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Salvador Dali (1904–1989) viewing the camera through a magnifying glass at his home in Cadaques on the Spanish Costa Brava, 1955. Photo by Charles Hewitt

Salvador Dali (1904–1989) viewing the camera through a magnifying glass at his home in Cadaques on the Spanish Costa Brava, 1955. Photo by Charles Hewitt

“At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.” ― Salvador Dalí Photographed by Philippe Halsman, 1946.

Exposição de Salvador Dalí estreia em São Paulo

“At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.” ― Salvador Dalí Photographed by Philippe Halsman, 1946.

Spanish surrealist artist Salvador Dali (1904–1989) viewing the camera through a magnifying glass at his home in Cadaques on the Spanish Costa Brava, 1955. (Photo by Charles Hewitt)

Spanish surrealist artist Salvador Dali (1904–1989) viewing the camera through a magnifying glass at his home in Cadaques on the Spanish Costa Brava, 1955. (Photo by Charles Hewitt)

An ink line drawing of the great Salvador Dali looking through a magnifying glass.

Salvador Dali 8.5 x 11 ink line drawing

An ink line drawing of the great Salvador Dali looking through a magnifying glass.

Study for the Persistence of Memory, Magnifying Glass and Television Bracelet - 1949 Gouache on Cardboard

Study for the Persistence of Memory, Magnifying Glass and Television Bracelet - 1949 Gouache on Cardboard

https://flic.kr/p/Raj5kd | Salvador Dalí - Paysage avec Femme [1934] | This painting is endowed with the same idiosyncratic iconography which defined the artist’s finest works, including the disintegrating figures, the pole, the cavernous rock formation, the lone tower and the biomorphic sack, all rendered with pristine draftsmanship and luminous brushwork. In the tradition of Vermeer and Van Eyck, Dalí likely used a magnifying glass while composing this picture in order to render the…

https://flic.kr/p/Raj5kd | Salvador Dalí - Paysage avec Femme [1934] | This painting is endowed with the same idiosyncratic iconography which defined the artist’s finest works, including the disintegrating figures, the pole, the cavernous rock formation, the lone tower and the biomorphic sack, all rendered with pristine draftsmanship and luminous brushwork. In the tradition of Vermeer and Van Eyck, Dalí likely used a magnifying glass while composing this picture in order to render the…

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