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Vionnet Silk crepe de chine shirt back

Vionnet Silk crepe de chine shirt back

Dress Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: 1926–27 Culture: French Medium: silk

Dress Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: 1926–27 Culture: French Medium: silk

Evening shawl c. 1925 Madeleine Vionnet Silk The fringed shawl was a fashion mainstay of the 1920s. The weight and drapable quality of silk jersey lends itself to the fitted shoulders and interior shaping at the armholes without losing its fluidity. The shawl is cut in an irregular length, which adds to its refinement. The tomato red color is made even more dramatic by the varied placement of the fringe  Metropolitan Museum  Detail 2

Evening shawl c. 1925 Madeleine Vionnet Silk The fringed shawl was a fashion mainstay of the 1920s. The weight and drapable quality of silk jersey lends itself to the fitted shoulders and interior shaping at the armholes without losing its fluidity. The shawl is cut in an irregular length, which adds to its refinement. The tomato red color is made even more dramatic by the varied placement of the fringe Metropolitan Museum Detail 2

Madeleine Vionnet | Dress | French by Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris)

Madeleine Vionnet | Dress | French by Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris)

Evening shawl c. 1925 Madeleine Vionnet Silk The fringed shawl was a fashion mainstay of the 1920s. The weight and drapable quality of silk jersey lends itself to the fitted shoulders and interior shaping at the armholes without losing its fluidity. The shawl is cut in an irregular length, which adds to its refinement. The tomato red color is made even more dramatic by the varied placement of the fringe  Metropolitan Museum  Front 1

Evening shawl c. 1925 Madeleine Vionnet Silk The fringed shawl was a fashion mainstay of the 1920s. The weight and drapable quality of silk jersey lends itself to the fitted shoulders and interior shaping at the armholes without losing its fluidity. The shawl is cut in an irregular length, which adds to its refinement. The tomato red color is made even more dramatic by the varied placement of the fringe Metropolitan Museum Front 1

Evening Dress, Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris): 1937, French, silk.

Evening Dress, Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris): 1937, French, silk.

Evening Dress - Back - 1930 - by Madeleine Vionnet (French 1876-1975) -Silk cotton - @~ Watsonette

Evening Dress - Back - 1930 - by Madeleine Vionnet (French 1876-1975) -Silk cotton - @~ Watsonette

Day 12 - 1917 - Madeleine Vionnet Evening dress  Because she was way ahead of her time and STILL doesn't get enough credit.  25 points to stick it to the misogynistic designer world.

Day 12 - 1917 - Madeleine Vionnet Evening dress Because she was way ahead of her time and STILL doesn't get enough credit. 25 points to stick it to the misogynistic designer world.

Evening dress Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: 1933–37 Culture: French Medium: silk

Evening dress Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: 1933–37 Culture: French Medium: silk

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