Mathura 1st-2nd C. CE. architectural frieze shows two floors with upper balconies. India.

Mathura 1st-2nd C. CE. architectural frieze shows two floors with upper balconies. India.

Gandhara | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Gandhara | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Green Tara is an archetype of our own inner wisdom. She guides and protects us…

Green Tara is an archetype of our own inner wisdom. She guides and protects us…

Head of a Buddha - This head from a nearly lifesize figure of the Buddha reflects the late Gupta artistic idiom. In an effort to represent the Buddha’s enlightenment and his inward-looking meditative nature, the artist abstracted and idealized his physical features, especially evident in the articulation of the eyes and the intersecting convex planes of his cheeks and forehead. 5th / 6th century Uttar Pradesh, India

Head of a Buddha - This head from a nearly lifesize figure of the Buddha reflects the late Gupta artistic idiom. In an effort to represent the Buddha’s enlightenment and his inward-looking meditative nature, the artist abstracted and idealized his physical features, especially evident in the articulation of the eyes and the intersecting convex planes of his cheeks and forehead. 5th / 6th century Uttar Pradesh, India

Seated Bodhisattva in Contemplative Pose Date: 5th–6th century Culture: India (Jammu & Kashmir, ancient kingdom of Kashmir) Medium: Stone Dimensions: H. 3 5/8 in. (9.2 cm) Classification: Sculpture Credit Line: Samuel Eilenberg Collection, Gift of Samuel Eilenberg, 1987 Accession Number: 1987.142.92

Seated Bodhisattva in Contemplative Pose Date: 5th–6th century Culture: India (Jammu & Kashmir, ancient kingdom of Kashmir) Medium: Stone Dimensions: H. 3 5/8 in. (9.2 cm) Classification: Sculpture Credit Line: Samuel Eilenberg Collection, Gift of Samuel Eilenberg, 1987 Accession Number: 1987.142.92

This Yakshi or Shalabhanjika grasps a branch of a tree causing it to flower – she is a goddess associated with agricultural abundance. India, Mathura, 1st - 2nd c., sandstone, The Metropolitan Museum of Art, Rogers Fund, 1927 (27.186) #themet

This Yakshi or Shalabhanjika grasps a branch of a tree causing it to flower – she is a goddess associated with agricultural abundance. India, Mathura, 1st - 2nd c., sandstone, The Metropolitan Museum of Art, Rogers Fund, 1927 (27.186) #themet

Head of Shiva as an ascetic north India, 5th century AD Mathura sculpture.  The Gupta aesthetic spread widely across the subcontinent, and it would underlie the later sculpture both of India and of lands far beyond her borders.

Head of Shiva as an ascetic north India, 5th century AD Mathura sculpture. The Gupta aesthetic spread widely across the subcontinent, and it would underlie the later sculpture both of India and of lands far beyond her borders.

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