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John Shearer, (Now West Virginia) Martinsburg Virginia, 1801-1806, walnut, cherry & mulberry, y.p.,oak, HOA: 106 1/8″; LOA: 45″; DOA: 24 1/2″. MESDA # 2979. The later paint inscription on the back, “E. Pendleton/Winchester,” apparently refers to Edmund Pendleton (1816-1880) of Martinsburg. In 1869 he was appointed U.S. District Court Judge in Winchester, moved there and is buried in the Mt. Hebron Cemetery.

John Shearer, (Now West Virginia) Martinsburg Virginia, 1801-1806, walnut, cherry & mulberry, y.p.,oak, HOA: 106 1/8″; LOA: 45″; DOA: 24 1/2″. MESDA # 2979. The later paint inscription on the back, “E. Pendleton/Winchester,” apparently refers to Edmund Pendleton (1816-1880) of Martinsburg. In 1869 he was appointed U.S. District Court Judge in Winchester, moved there and is buried in the Mt. Hebron Cemetery.

Simon Willard Tall Clock, with Mahogany Case Attributed to Stephen Badlam, Roxbury, Massachusetts, c. 1790, the fret-top hood with three brass finials surmounting the frieze with inlaid pilasters flanking the dot and dart inlay crowning the glazed hood door over the "Osborne" painted iron roman numeral dial signed Sim[n] Willard, floral spandrels, recessed date and moon's age dial in the arch and pierced steel hands all flanked by freestanding brass stop-fluted columns, the rectangular waist…

Simon Willard Tall Clock, with Mahogany Case Attributed to Stephen Badlam, Roxbury, Massachusetts, c. 1790, the fret-top hood with three brass finials surmounting the frieze with inlaid pilasters flanking the dot and dart inlay crowning the glazed hood door over the "Osborne" painted iron roman numeral dial signed Sim[n] Willard, floral spandrels, recessed date and moon's age dial in the arch and pierced steel hands all flanked by freestanding brass stop-fluted columns, the rectangular waist…

A DUTCH BURR WALNUT MUSICAL LONGCASE CLOCK, HEERT. C. BAKKER EN SOON GRONINGEN, LAST QUARTER 18TH CENTURY

A DUTCH BURR WALNUT MUSICAL LONGCASE CLOCK, HEERT. C. BAKKER EN SOON GRONINGEN, LAST QUARTER 18TH CENTURY

In the days before the proliferation of printed labels, cabinetmakers signed only their best piece.The 105-inch piece was likely the one

In the days before the proliferation of printed labels, cabinetmakers signed only their best piece.The 105-inch piece was likely the one

A CHIPPENDALE CARVED MAHOGANY BLOCK-FRONT DESK-AND-BOOKCASE -  BOSTON, 1760-1790 -  appears to retain its original cast brass hardware  96 in. high, 42 in. wide, 22 1/2 in. deep

A CHIPPENDALE CARVED MAHOGANY BLOCK-FRONT DESK-AND-BOOKCASE - BOSTON, 1760-1790 - appears to retain its original cast brass hardware 96 in. high, 42 in. wide, 22 1/2 in. deep

A GEORGE III GOLD, IVORY AND TORTOISESHELL TEA CADDY, LATE 18TH CENTURY -  octagonal, the ivory panels applied with rows of gold beads and pellets between tortoiseshell stringing, a tortoiseshell band to the base, applied to the front with a bright-cut bordered gold oval initialled H below the gold key escutcheon, the lid rising to a silver loop hinged handle, foiled interior 13cm wide

A GEORGE III GOLD, IVORY AND TORTOISESHELL TEA CADDY, LATE 18TH CENTURY - octagonal, the ivory panels applied with rows of gold beads and pellets between tortoiseshell stringing, a tortoiseshell band to the base, applied to the front with a bright-cut bordered gold oval initialled H below the gold key escutcheon, the lid rising to a silver loop hinged handle, foiled interior 13cm wide

A GILT-BRONZE MANTEL CLOCK Attributed To GOUTHIÈRE PIERRE, AFTER A DESIGN BY FRANCIS JOSEPH BELANGER, THE DIAL SIGNED ROBIN IN PARIS

A GILT-BRONZE MANTEL CLOCK Attributed To GOUTHIÈRE PIERRE, AFTER A DESIGN BY FRANCIS JOSEPH BELANGER, THE DIAL SIGNED ROBIN IN PARIS

An Empire ormolu mantel clock<br><P>circa 1810, the dial signed<EM> Ravrio Bronzier à Paris</EM> and <EM>Mesnil Hger. </EM></P> | Lot | Sotheby's

An Empire ormolu mantel clock<br><P>circa 1810, the dial signed<EM> Ravrio Bronzier à Paris</EM> and <EM>Mesnil Hger. </EM></P> | Lot | Sotheby's

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