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Poppi (Francesco Morandini) | Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition | The Met

Poppi (Francesco Morandini) | Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition | The Met

Francesco Morandini (Il Poppi), c.1544-1597, Italian, Studies of an infant head, after a cast, 1572-74.   Black chalk on blue paper, 15.9 x 17.8 cm.  Metropolitan Museum of Art, New York.  Mannerism.

Francesco Morandini (Il Poppi), c.1544-1597, Italian, Studies of an infant head, after a cast, 1572-74. Black chalk on blue paper, 15.9 x 17.8 cm. Metropolitan Museum of Art, New York. Mannerism.

Baccio Bandinelli, 1493-1560, Italian, Three Male Heads, 1493-1560.  Pen and brown ink over traces of black chalk; 32.1 x 20.6 cm.  Metropolitan Museum of Art, New York.  Mannerism.

Baccio Bandinelli, 1493-1560, Italian, Three Male Heads, 1493-1560. Pen and brown ink over traces of black chalk; 32.1 x 20.6 cm. Metropolitan Museum of Art, New York. Mannerism.

Luca Cambiaso, 1527-1585, Italian, Fame, mid- to late 16th century.  Pen and brown ink, brown wash, over traces of black chalk: 33.2 x 24.3 cm.  Metropolitan Museum of Art, New York.  Mannerism.

Luca Cambiaso, 1527-1585, Italian, Fame, mid- to late 16th century. Pen and brown ink, brown wash, over traces of black chalk: 33.2 x 24.3 cm. Metropolitan Museum of Art, New York. Mannerism.

Jacopo Zucchi, c.1541-1596, Italian, Jupiter Fighting the Giants.  Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper, 28.6 x 21.1 cm.

Jacopo Zucchi, c.1541-1596, Italian, Jupiter Fighting the Giants. Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper, 28.6 x 21.1 cm.

Nosadella (Giovanni Francesco Bezzi), c.1549-1571, Italian, (attributed to), Kneeling Bearded Old Man (recto).  Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); 22.8 x 17.6cm.  Metropolitan Museum of Art, New York.  Mannerism.

Nosadella (Giovanni Francesco Bezzi), c.1549-1571, Italian, (attributed to), Kneeling Bearded Old Man (recto). Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); 22.8 x 17.6cm. Metropolitan Museum of Art, New York. Mannerism.

Bartolomeo Passerotti, 1529-1592, Italian, An Angel, 1529-92. Pen and brown ink, over traces of black chalk, on beige paper: 42.6 x 25.7 cm.  Metropolitan Museum of Art, New York.  Mannerism.

Bartolomeo Passerotti, 1529-1592, Italian, An Angel, 1529-92. Pen and brown ink, over traces of black chalk, on beige paper: 42.6 x 25.7 cm. Metropolitan Museum of Art, New York. Mannerism.

Rosso Fiorentino (Giovanni Battista di Jacopo),1494-1540, Italian, Bust of a Woman with an Elaborate Coiffure, c.1530.  Black chalk; some contours reinforced in pen and brown ink, and background tinted in brown wash (by another hand); 23.6 x 17.7 cm.  Metropolitan Museum of Art, New York.  Mannerism.

Rosso Fiorentino (Giovanni Battista di Jacopo),1494-1540, Italian, Bust of a Woman with an Elaborate Coiffure, c.1530. Black chalk; some contours reinforced in pen and brown ink, and background tinted in brown wash (by another hand); 23.6 x 17.7 cm. Metropolitan Museum of Art, New York. Mannerism.

Jacopo Bassano (Jacopo da Ponte) [abscribed to], c.1510-1592, Italian, Head of a Pope(?), 1550-1600.  Black and colored chalks on blue paper; 39.2 x 27. cm.  The Metropolitan Museum of Art, New York.  Mannerism.

Jacopo Bassano (Jacopo da Ponte) [abscribed to], c.1510-1592, Italian, Head of a Pope(?), 1550-1600. Black and colored chalks on blue paper; 39.2 x 27. cm. The Metropolitan Museum of Art, New York. Mannerism.

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