Explore Juan Medina Art, Medina Artist and more!

Peter Paul Rubens (Flemish, 1577–1640). The Triumph of Henry IV, ca. 1630. The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.187) | This energetic sketch shows Henry IV (1553–1610), King of France, entering Paris "in the manner of the triumphs of the Romans," as described in Rubens’s contract of 1622. This is the last of four sketches in which Rubens worked out his heroic allegory of an actual event. #horses

Peter Paul Rubens (Flemish, 1577–1640). The Triumph of Henry IV, ca. 1630. The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.187) | This energetic sketch shows Henry IV (1553–1610), King of France, entering Paris "in the manner of the triumphs of the Romans," as described in Rubens’s contract of 1622. This is the last of four sketches in which Rubens worked out his heroic allegory of an actual event. #horses

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Odilon Redon (French, 1840–1916). The Chariot of Apollo, 1905–16. The Metropolitan Museum of Art, New York. Anonymous Gift, 1927 (27.29) | Between 1905 and 1916 Redon devoted a number of oils, pastels, and watercolors to the theme of horses of the sun, driven by Apollo or Phaëthon. #horses

Odilon Redon (French, 1840–1916). The Chariot of Apollo, 1905–16. The Metropolitan Museum of Art, New York. Anonymous Gift, 1927 (27.29) | Between 1905 and 1916 Redon devoted a number of oils, pastels, and watercolors to the theme of horses of the sun, driven by Apollo or Phaëthon. #horses

Allegory in Honor of Louis XIV  http://www.metmuseum.org/collection/the-collection-online/search/392969?utm_source=Pinterest&utm_medium=pin&utm_campaign=horse

Allegory in Honor of Louis XIV http://www.metmuseum.org/collection/the-collection-online/search/392969?utm_source=Pinterest&utm_medium=pin&utm_campaign=horse

Pietà with Saint Nicholas and Saint James the Great, first quarter 16th century. France. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1926 (26.63.36a) | The Pietà, depicting the Virgin Mary holding the dead body of Christ in her lap, became a popular devotional image in the later Middle Ages. #Cloisters

Pietà with Saint Nicholas and Saint James the Great, first quarter 16th century. France. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1926 (26.63.36a) | The Pietà, depicting the Virgin Mary holding the dead body of Christ in her lap, became a popular devotional image in the later Middle Ages. #Cloisters

Simeon Solomon (British, 1840–1905). The Infant Moses (Dalziels' Bible Gallery),1863–81. The Metropolitan Museum of Art, New York. Anonymous Gift, 1926 (26.99.1(29)) #kids

Simeon Solomon (British, 1840–1905). The Infant Moses (Dalziels' Bible Gallery),1863–81. The Metropolitan Museum of Art, New York. Anonymous Gift, 1926 (26.99.1(29)) #kids

Jacob Jordaens (Flemish, 1593–1678). The Banquet of Anthony and Cleopatra, 17th century. The Metropolitan Museum of Art, New York. Rogers Fund, 1963 (63.104)

Jacob Jordaens (Flemish, 1593–1678). The Banquet of Anthony and Cleopatra, 17th century. The Metropolitan Museum of Art, New York. Rogers Fund, 1963 (63.104)

Edvard Munch - Girl Looking out the Window, 1893 at the Art Institute of Chicago IL | Flickr - Photo Sharing!

Edvard Munch - Girl Looking out the Window, 1893 at the Art Institute of Chicago IL | Flickr - Photo Sharing!

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