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I think this is a good photographer because he used what was going on around him to create a shot. He used leading lines, and the emotion captured on the subject's face is spectacular.

Henri Cartier-Bresson: 'The Eye of the Century'

Henri Cartier-Bresson    Serbia. Bass player on the road Belgrade-Kraljevo, to play at a village festival near Rudnick. Yugoslavia 1965

carry your passion: Henri Cartier-Bresson Serbia. Bass player on the road Belgrade-Kraljevo, to play at a village festival near Rudnick Yugoslavia 1965 © Henri Cartier-Bresson /Magnum Photos

Henri Cartier - Bresson / Cartier-Bresson and Levitt: Modern Masters, Old Friends - The New York Sun

Henri Cartier - Bresson / Cartier-Bresson and Levitt: Modern Masters, Old Friends - The New York Sun (but who made this Helen Levitt or Henri Cartier Bresson?

Henri Cartier-Bresson (from the Photofocus series 'Photographers you should know')

This is a photo by Henri Carier-Bresson I like this one becaue it has a leading line angle in and I like the way how he took this picture looking up spiral stairs with people popping their heads up,

Boy Helps Amputee Friend Injured in War in Naples, Italy by  Henri Cartier Bresson 1944

Children in Naples, Italy, little boy helps one-legged companion across street, the boy lost his leg as a result of the war, Aug by Wayne Miller

Henri Cartier-Bresson,  Cachot d'une prison modèle, États-Unis, 1975.  © Henri Cartier-Bresson/Magnum Photos – Courtesy Fondation Henri Cartier-Bresson.

Henri Cartier-Bresson, Cachot d'une prison modèle, États-Unis, Photojournalism as art. I like the symbolism of a man in prison, was he wrongly accused? Does the man behind bars represent someone else or a group of people in history?

This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

Cartier-Bresson: A master's black-and-white world

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