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The premise is deceptively simple: a dirt-poor charwoman and former prostitute leans on her mop and tells her life story. But what a story!

The premise is deceptively simple: a dirt-poor charwoman and former prostitute leans on her mop and tells her life story. But what a story!

In dozens of countries, ordinary citizens have cause to worry about what (or how much) will come out of their taps — if they even have taps — and who will make sure it is available, affordable, and safe.

In dozens of countries, ordinary citizens have cause to worry about what (or how much) will come out of their taps — if they even have taps — and who will make sure it is available, affordable, and safe.

In Fauxccasional Poems Daniel Scott Tysdal imagines himself into poetic voices not his own, writing to commemorate events that never occurred, for the posterity of alternative universes — and the delight of our own.

In Fauxccasional Poems Daniel Scott Tysdal imagines himself into poetic voices not his own, writing to commemorate events that never occurred, for the posterity of alternative universes — and the delight of our own.

In this stunning debut collection by Ali Blythe, every poem is unerringly built with hatches and escapes.

In this stunning debut collection by Ali Blythe, every poem is unerringly built with hatches and escapes.

Proud to be #Gooselane with rave reviews for Libby Creelman's Split. For more reviews check out gooselane.com

Proud to be #Gooselane with rave reviews for Libby Creelman's Split. For more reviews check out gooselane.com

Alan MacEachern review’s Nicholas Guitard, The Lost Wilderness: Rediscovering W.F. Ganong’s New Brunswick

Alan MacEachern review’s Nicholas Guitard, The Lost Wilderness: Rediscovering W.F. Ganong’s New Brunswick

The Places I Go focuses on Pratt's paintings of the last decade, each revealing his observations of a place changing even as it endures.

The Places I Go focuses on Pratt's paintings of the last decade, each revealing his observations of a place changing even as it endures.

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