Brigandine, leather, Paris, late 1400's | Flickr. Unlike armour for the torso made from large plates, the brigandine was flexible, with a degree of movement between each of the overlapping plates. The rivets, or nails, attaching the plates to the fabric were often decorated, being gilt, or of latten, and sometimes embossed with a design. Medieval brigandines were essentially a refinement of the earlier coat of plates, which developed in the late 12th century.
Tournament Helm, ca. 1420–30. Possibly Italian or French. The Metropolitan Museum of Art, New York. Rogers Fund, 1904 (04.3.237) | Although very similar helmets are depicted in early fifteenth century works of art, almost no other actual examples of this type exist today.
Gothic Armor, late 15th century; extensively restored and completed ca. 1926. German and Italian. The Metropolitan Museum of Art, New York. Bashford Dean Memorial Collection, Bequest of Bashford Dean, 1928 (29.150.8a–q) | In this work, Dean’s goal was to create a late German Gothic armor, a type often considered the pinnacle of armor-making. Complete and homogeneous examples were nonexistent on the art market by Dean’s time.
Sallet in the Franco-Burgundian Style Date: late 15th century Geography: said to have been found in Givet, Champagne-Ardenne Culture: possibly Italian Medium: Steel Dimensions: H. 9 in. (22.9 cm); W. 8 in. (20.3 cm); D. 12 1/4 in. (31.1 cm); Wt. 3 lb. 13 oz. (1737 g)