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Jeanne Moreau in La Notte, 1961, cinematographer: Gianni Di Venanzo, director: Michelangelo Antonioni

Jeanne Moreau in La Notte, 1961, cinematographer: Gianni Di Venanzo, director: Michelangelo Antonioni

Structuralist film

Structuralist film

Shot between 1962 and 1986, Tarkovsky’s seven feature films often grapple with metaphysical and spiritual themes, using a distinctive cinematic style. Long takes, slow pacing and metaphorical imagery – they all figure into the archetypical Tarkovsky film. (Photo from Stalker)

Shot between 1962 and 1986, Tarkovsky’s seven feature films often grapple with metaphysical and spiritual themes, using a distinctive cinematic style. Long takes, slow pacing and metaphorical imagery – they all figure into the archetypical Tarkovsky film. (Photo from Stalker)

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