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Insertions into Ideological Circuits: Coca-Cola Project - Cildo Meireles - Conceptual Art, 1970

Insertions into Ideological Circuits: Coca-Cola Project - Cildo Meireles - Conceptual Art, 1970

Cildo Meireles - Brasil - Latin American Art    Utiliza la botella de Coca Cola, como medio de comunicación, al escribirle frase «Yankees go home» entre otras frases, para posteriormente devolverla a la circulación.

Cildo Meireles - Brasil - Latin American Art Utiliza la botella de Coca Cola, como medio de comunicación, al escribirle frase «Yankees go home» entre otras frases, para posteriormente devolverla a la circulación.

cildo meireles | insertions into ideological circuits coca cola project. — Designspiration

cildo meireles | insertions into ideological circuits coca cola project. — Designspiration

Inserções em Circuitos Ideológicos: Projeto Coca-Cola - Cildo Meireles, 1970. Fotografia: Pat Kilgore.

Inserções em Circuitos Ideológicos: Projeto Coca-Cola - Cildo Meireles, 1970. Fotografia: Pat Kilgore.

Cildo Meireles Insertions into Ideological Circuits: Coca-Cola Project 7 x exhibition copies (detail) 1970

Cildo Meireles Insertions into Ideological Circuits: Coca-Cola Project 7 x exhibition copies (detail) 1970

Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970.  Art Experience NYC  www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970. Art Experience NYC www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Cildo Meireles, Insertions into Ideological Circuits: Banknote Project, 1970–75 [YANKEES GO HOME]

Cildo Meireles, Insertions into Ideological Circuits: Banknote Project, 1970–75 [YANKEES GO HOME]

Cildo Meireles abre mostra na Espanha

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Red Shift I: Impregnation (detail), 1967-1984

installation by: Cildo Meireles

Red Shift I: Impregnation (detail), 1967-1984 installation by: Cildo Meireles

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