Painted cartapesta (papier mâché) mirror frame, from the workshop of Neroccio de’ Landi, Siena, Italy, 1475-1500.

Painted cartapesta (papier mâché) mirror frame, from the workshop of Neroccio de’ Landi, Siena, Italy, 1475-1500.

Visigoth Harness Pendant with Confronting Beasts circa 500- 600AD - Metropolitan Museum of Art, The Visigoths enjoyed lively commercial contacts with lands all around the Mediterranean. This pendant reveals t...

Visigoth Harness Pendant with Confronting Beasts circa 500- 600AD - Metropolitan Museum of Art, The Visigoths enjoyed lively commercial contacts with lands all around the Mediterranean. This pendant reveals t...

pitchers and bench. detail from Geburt Mariens: Kunstwerk: Temperamalerei-Holz ; Einrichtung sakral ; Flügelaltar ; Meister des Schottenaltars ; Wien  Dokumentation: 1469 ; 1480 ; Wien ; Österreich ; Wien ; Schottenstift  Anmerkungen: Wien Schottenstift ; Schottenaltar

pitchers and bench. detail from Geburt Mariens: Kunstwerk: Temperamalerei-Holz ; Einrichtung sakral ; Flügelaltar ; Meister des Schottenaltars ; Wien Dokumentation: 1469 ; 1480 ; Wien ; Österreich ; Wien ; Schottenstift Anmerkungen: Wien Schottenstift ; Schottenaltar

Miror Case  with the representation of two stages of love   ivory   North-France, about 1350-1375

Miror Case with the representation of two stages of love ivory North-France, about 1350-1375

Bronze portrait of Alexander the Great. Greek or Roman, Late Hellenistic to Hadrianic, ca 150 B.C - A.D. 138.

Bronze portrait of Alexander the Great. Greek or Roman, Late Hellenistic to Hadrianic, ca 150 B.C - A.D. 138.

Paternoster Pendant with the Virgin and Child (obverse) and the Meeting of Joachim and Anna at the Golden Gate (reverse) Fanders or Burgundy ca. 1440–50;

Paternoster Pendant with the Virgin and Child (obverse) and the Meeting of Joachim and Anna at the Golden Gate (reverse) Fanders or Burgundy ca. 1440–50;

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