Brianna Kirk
More ideas from Brianna

Hyung Su Kim/Hyo Jin Kim: Madame Freedom, at REDCAT, DTLA. The Seoul­based multimedia collaboration presented the US premiere of their immersive performance, synthesizing interactive dance with opulent video installations

The personality of this play is Kinesthete. The quality of this play is Inherent Attraction. Even though I have been on stage before and it's something I'm used to, being on stage is where I see myself spending a lot of time in the future. Feeling the energy of being on stage and moving, it makes it feel like was born to be on stage. (Future)

The personality of this play is Kinesthete. The quality of this play is Inherent Attraction. Even though I have been on stage before and it's something I'm used to, being on stage is where I see myself spending a lot of time in the future. Feeling the energy of being on stage and moving, it makes it feel like was born to be on stage. (Future)

For the launch of its latest digital campaign, eyewear brand Oakley immersed guests in a multimedia world of visualised data, created as a showcase for the brand’s history, design innovations and the mechanics of its product range.

PERIOD/MOOD: Stark lighting, and minimal furniture for past in juxtaposition with futures abundance of high-tech furniture and lighting. Shows the past was about the minimal necessities and entertainment, while the future is full of opportunity and sleek designs. Because of the advancements from the future the things they own and have can be focused on looks as well as their practical uses unlike the past.

PERIOD/MOOD: Stark lighting, and minimal furniture for past in juxtaposition with futures abundance of high-tech furniture and lighting. Shows the past was about the minimal necessities and entertainment, while the future is full of opportunity and sleek designs. Because of the advancements from the future the things they own and have can be focused on looks as well as their practical uses unlike the past.

The Tales Of Ballycumber, directed by David Leveaux for Abbay Theatre, 2010, set by Mike Britton - Theatre.

The Tales Of Ballycumber, directed by David Leveaux for Abbay Theatre, 2010, set by Mike Britton - Theatre.

Pergolesi 's La Serva Padrona from the Teatro Sá de Miranda, Portugal Production by William Oldroyd. Set design by Signe Beckmann.

Dramatic setting to illustrate features (projection installation to show welcome lighting or avoiding accidents.) Adam Martinakis Digital Art (7)

Dramatic setting to illustrate features (projection installation to show welcome lighting or avoiding accidents.) Adam Martinakis Digital Art (7)