Boyd Webb at Two Rooms – EyeContact

Boyd Webb at Two Rooms – EyeContact

Boyd Webb, Lure, 2014, giclee print on Innova Fibaprint Semi-Matte  300gsm, 1020 x 920 mm

Boyd Webb, Lure, 2014, giclee print on Innova Fibaprint Semi-Matte 300gsm, 1020 x 920 mm

Boyd Webb, Knot, 2014, giclee print on Innova Fibaprint Semi-Matte 300gsm, 970 x 970 mm

Boyd Webb, Knot, 2014, giclee print on Innova Fibaprint Semi-Matte 300gsm, 970 x 970 mm


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A photograph from the 'Faux' series by NZ photographer Boyd Webb (Born 1947). Faux is a comment on biotechnology and GM crops. The huge prints depict fabric flowers whose vivid colours are at first-glance akin to the vibrance of a real flower, this combined with an absence of reference point for scale creates an unsettling tableau, prompting the viewer to consider the frankenstein nature of GM crops. Boyd adds a touch of irony, using 'straight' techniques with no digital manipulation.

A photograph from the 'Faux' series by NZ photographer Boyd Webb (Born 1947). Faux is a comment on biotechnology and GM crops. The huge prints depict fabric flowers whose vivid colours are at first-glance akin to the vibrance of a real flower, this combined with an absence of reference point for scale creates an unsettling tableau, prompting the viewer to consider the frankenstein nature of GM crops. Boyd adds a touch of irony, using 'straight' techniques with no digital manipulation.

Boyd Webb at Two Rooms – EyeContact

Boyd Webb at Two Rooms – EyeContact

Boyd Webb at Two Rooms – EyeContact

Boyd Webb at Two Rooms – EyeContact

Abyssogramme, 1983 by Boyd Webb © Boyd Webb. All Rights Reserved, DACS 2017. Photo: Boyd Webb

Abyssogramme, 1983 by Boyd Webb © Boyd Webb. All Rights Reserved, DACS 2017. Photo: Boyd Webb

Boyd Webb | Two Rooms

Boyd Webb | Two Rooms

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