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Amidst the silvery spumelike net resembling sea foam, pearlescent shell-shaped scallops pronounce Venus risen from the waters. But Dior has not only evoked the story of Venus; he has also created an ideal of beauty

Image 12 of 53 from gallery of House of Dior Seoul / Christian de Portzamparc. Photograph by Nicolás Borel

1948 – Christian Dior, Eugénie evening gown | Fashion History Timeline

Design House: House of Dior (French, founded 1947). Designer: Christian Dior (French, Granville 1905–1957 Montecatini). Date: spring/summer 1947. Culture:...

Flint Institute of Arts. "The Art of Haute Couture," March 31, 1977–July 3, 1977.New York. The Metropolitan Museum of Art. "Dance," December 17, 1986–September 6, 1987.The Metropolitan Museum of Art

In this design, John Galliano for Dior combined the elements of a robe à la française with the vast crinolined silhouettes of the mid-nineteenth century. The stomacher, open overskirt, and petticoat are expressly eighteenth century, but the huge wired cages that support the skirts over nine feet wide are constructed more like the hoops of the Second Empire than the discrete by comparison panniers of the ancien régime

Christian Dior, Couturier du Rêve - Exhibition celebrating the 70th anniversary of the creation of the House Dior. #ChristianDior #ChristianDior_AD #Couturier #Dresses #Exhibition #Fashion #France #HauteCouture #lesartsdecoratifs#Museum #Paris #Travelphotography

Amidst the silvery spumelike net resembling sea foam, pearlescent shell-shaped scallops pronounce Venus risen from the waters. But Dior has not only evoked the story of Venus; he has also created an ideal of beauty