Engraving art

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Diana Parkhouse - Paper Artist Person on Instagram: "This is a demonstration that for intaglio etching you don't need a press. You don't need a washing mangle. You don't need a cold press laminator.  You don't need an x cut express.  You don't need new sheet metals. You don't need chemicals. You don't need drypoint perspex.You don't need etching paper to print on. You can use some or all those things, yes! But you could also use an aluminium drink can, an old craft knife blade (though I do love my little electric engraver as seen in the video), a castor wheel off a chair and some cheap watercolour paper. In the video I share my image transfer method. You don't even need to do that. You can scratch your design directly onto the can with as much or as little sketch prep as you like, though r Printing On Metal, Tetra Pak Etching, Metal Etching Art, Metal Engraving Designs, Aluminium Can Art, Metal Crafts Ideas, Tetra Pak Printmaking, Easy Printmaking Ideas, Metal Etching Tutorial

Diana Parkhouse - Paper Artist Person on Instagram: "This is a demonstration that for intaglio etching you don't need a press. You don't need a washing mangle. You don't need a cold press laminator. You don't need an x cut express. You don't need new sheet metals. You don't need chemicals. You don't need drypoint perspex.You don't need etching paper to print on. You can use some or all those things, yes! But you could also use an aluminium drink can, an old craft knife blade (though I do…

Hendrick Goltzius, Ink Drawing Techniques, Desen Realist, Etching Prints, Master Drawing, Engraving Art, Engraving Illustration, Hieronymus Bosch, Cross Hatching

What are the critical principles underpinning great art? Like all broad generalisations there will always be exceptions, but if I were to reduce all the factors that come together in the most memorable artworks then three principles are essential: projection (to arrest a viewer’s attention and to invite the viewer to look at the featured subject); visual dialogue (to express meaning by comparison of the centre of interest with another pictorial element); and, alluding to subject material…

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