Dora maar

Explore the captivating artworks and fascinating life of Dora Maar, a prominent figure in the surrealist movement. Uncover the secrets behind her enigmatic images and get inspired by her unique perspective on art.
'Dora Maar' | Calendar | The New York Review of Books Vogue, Portrait, Scene, Vintage, Fotografie, Dora, Fotografia, Poses, Folk

This haunting show, in the cool gallery spaces high above the city that Dora Maar knew so well, makes it clear that she was indeed a star, a leading figure in Surrealist photo-montage of the mid-1930s. Maar’s largest exhibition in France, it contains over 400 of her works, yet, like the model in the banner, she turns away, and hides her face, remaining enigmatic in her work. In Self-Portrait with Fan (1930), she shows only her reflection in a mirror, her serious gaze shrouded by the circles…

Donna Rogers
Man Ray; Dora Maar; 1936 "An original is a creation motivated by desire. Any reproduction of an originals motivated be necessity. It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human." -ray Man Ray, Photo Art, Portraits, Portrait, Draw, Dora Maar, Fotos, Resim, Man Ray Photography

Man Ray (born Emmanuel Radnitzky) ]was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known in the art world for his avant-garde photography, and he was a renowned fashion and portrait photographer. Ray is also noted for his work with photograms, which…

MAN RAY (1890-1976), Dora MAAR Portraits, Portrait, Kos, Man, Photo Reference, Fotos, Dora, Fotografie, Ray

MAN RAY (1890-1976), Dora MAAR (1907-1997), and Paul ELUARD (as 'Didier Desroches'; 1895-1952). Le Temps déborde. Paris: Cahiers d'Arts, 1947. 4° (247 x 185mm). Frontispiece and 10 illustrations after photographs by Man Ray and Dora Maar. Original printed wrappers (small chips at spine ends); in early, possibly contemporary glassine (chipped at the spine, browned); blue morocco clamshell case, unsigned but by Cambras, and blue cloth chemise.

Outre Journal