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CUT DOUBLE OVERLAY PUNTY AND OVAL STAND LAMP, rose cut to white cut to colorless pyriform font, medial with a band of gilt scrolls, opaque white No. 40 base with worn gilt decoration, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a Novelty lip burner, thumbwheel marked "PAT JAN 21 / 68 & OCT 27 / 63", shade ring with coining, engraved and frosted Oregon shade with stylized floral pattern, and lip chimney. Lamp: Boston & Sandwich G...

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Daffodil shade with beaded frindge, fan pleats and lace from http://lazyspleen.blogspot.com/2012/06/randomville-fifty-shades-of-lamps.html or http://www.victoriana.com/Lighting/lamps.html

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frosted and acid-etched colorless pyriform font with stylized-floral and stag-head pattern, blue alabaster stem, each with traces of gilt decoration, marble base, brass connectors, and No. 2 fine-line collar. Fitted with a period set-up comprising a Dyott's No. 2 Spiral lip burner, thumbwheel marked "DYOTTS PAT. JAN 6. 1864.", and a chimney with a ten-petal top. Third quarter 19th century. 13 5/8" H to top of collar, 4 5/8" SQ base. <BR><I>Excell...

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Victorian Patinated Metal Piano Lamp, fourth quarter 19th century, the legs set with paw feet, terminating in putti astride curved leaves, the bold standard pierced with scrolles and ornamented with reeding, set with a kerosene font and a hand-painted glass ball shade

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