Sandro Boticelli's "The Birth of Venus", 1486, Galleria degli Uffizi, Florence. Most paintings of women during the middle Ages symbolize the Virgin Mary, showing her in a demure appearance with an angelic smile and covered head. So Botticelli's depiction of a beautiful goddess, not only an obvious symbol of pagan mythology but also painted as a nude was groundbreaking.

Sandro Boticelli's "The Birth of Venus", 1486, Galleria degli Uffizi, Florence. Most paintings of women during the middle Ages symbolize the Virgin Mary, showing her in a demure appearance with an angelic smile and covered head. So Botticelli's depiction of a beautiful goddess, not only an obvious symbol of pagan mythology but also painted as a nude was groundbreaking.

Venus of Love. July 1931. Cover by Georges Lepape.

Gorgeous Art Deco ‘Vogue’ Covers from the Early 20th Century

tratto da La nascita di Venere del Botticelli  conservato nella Galleria degli Uffizi a Firenze.

tratto da La nascita di Venere del Botticelli conservato nella Galleria degli Uffizi a Firenze.

Inana (Sumerian)/Ištar (Akkadian) is among the most important deities and the most important goddess in the Mesopotamian pantheon. She is primarily known as the goddess of sexual love but is equally prominent as the goddess of warfare. In her astral aspect, Inana/Ištar is the planet Venus, the morning and the evening star.

Inana (Sumerian)/Ištar (Akkadian) is among the most important deities and the most important goddess in the Mesopotamian pantheon. She is primarily known as the goddess of sexual love but is equally prominent as the goddess of warfare. In her astral aspect, Inana/Ištar is the planet Venus, the morning and the evening star.

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