Google Image Result for http://perfectionofperplexion.files.wordpress.com/2011/04/otto-steinert-pedestrian_s-foot-1950.jpg

Google Image Result for http://perfectionofperplexion.files.wordpress.com/2011/04/otto-steinert-pedestrian_s-foot-1950.jpg

Otto Steinert -Lamps of the Place de la Concorde III 1952 -' ‘Subjective Photography’, he wrote, ‘means humanised, individualised photography and implies the handling of a camera in order to win from the single object the views expressive of its character.’ http://www.tate.org.uk/whats-on/tate-modern/display/otto-steinert

Otto Steinert -Lamps of the Place de la Concorde III 1952 -' ‘Subjective Photography’, he wrote, ‘means humanised, individualised photography and implies the handling of a camera in order to win from the single object the views expressive of its character.’ http://www.tate.org.uk/whats-on/tate-modern/display/otto-steinert

Otto Steinert - Porträt männlich Zwei Masken,  1949. S) http://firsttimeuser.tumblr.com/post/10374900890/inneroptics-otto-steinert-portrat-mannlich

Otto Steinert - Porträt männlich Zwei Masken, 1949. S) http://firsttimeuser.tumblr.com/post/10374900890/inneroptics-otto-steinert-portrat-mannlich

© Peter Keetman, 1958, Rohre (Pipes) Peter Keetman was one of the founder-members of the Fotoform group in 1949 with Otto Steinert and others. His preference for black and white enhanced his strong designs, often based around the effects of light on the subject.

© Peter Keetman, 1958, Rohre (Pipes) Peter Keetman was one of the founder-members of the Fotoform group in 1949 with Otto Steinert and others. His preference for black and white enhanced his strong designs, often based around the effects of light on the subject.

“@articulospensar: Otto Steinert  RT @1scatteredmind @peter_seelig”@janeadamswatts

“@articulospensar: Otto Steinert RT @1scatteredmind @peter_seelig”@janeadamswatts

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