-article about the painting,Olympia (Manet)...so much symbolism in this painting..the cast off shoe, the black choker, the cat, the orchid, the bracelet, that look.

-article about the painting,Olympia (Manet)...so much symbolism in this painting..the cast off shoe, the black choker, the cat, the orchid, the bracelet, that look.

Olympia - Édouard Manet, 1963 || En esta obra podemos ver a dos personas y un gato  en una habitación, la persona de piel clara destaca, y el autor la hace destacar gracias a su delicada figura y postura relajada, la figura a su lado es una mujer de piel oscura, que le hace una ofrenda floral como buscando aprobación de si es suficientemente bueno a la mujer de piel clara  y el gato a su lado por sus ojos demuestra sorpresa

Olympia - Édouard Manet, 1963 || En esta obra podemos ver a dos personas y un gato en una habitación, la persona de piel clara destaca, y el autor la hace destacar gracias a su delicada figura y postura relajada, la figura a su lado es una mujer de piel oscura, que le hace una ofrenda floral como buscando aprobación de si es suficientemente bueno a la mujer de piel clara y el gato a su lado por sus ojos demuestra sorpresa

Olympia is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant.

Olympia is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant.

Olympia est un tableau réalisé par Édouard Manet en 1863 et conservé au musée d'OrsayAvec Olympia, Manet réinvente le thème traditionnel du nu féminin par le jeu d'une peinture franche et sans compromis.

Olympia est un tableau réalisé par Édouard Manet en 1863 et conservé au musée d'OrsayAvec Olympia, Manet réinvente le thème traditionnel du nu féminin par le jeu d'une peinture franche et sans compromis.

When Manet exhibited Olympia at the Paris Salon in 1865, it caused an immediate sensation. Although it was immediately condemned as “immoral” and “vulgar” by conservative critics, it was lauded by critics such as Emile Zola, the French writer, who proclaimed the painting to be Manet’s masterpiece. Unlike Titian’s Venus de Urbino or Giorgione’s Sleeping Venus, both of which were sources of inspiration for Olympia, Manet’s work was overtly sexual.

When Manet exhibited Olympia at the Paris Salon in 1865, it caused an immediate sensation. Although it was immediately condemned as “immoral” and “vulgar” by conservative critics, it was lauded by critics such as Emile Zola, the French writer, who proclaimed the painting to be Manet’s masterpiece. Unlike Titian’s Venus de Urbino or Giorgione’s Sleeping Venus, both of which were sources of inspiration for Olympia, Manet’s work was overtly sexual.

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