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Otto Dix, Gera, Germany (1891-1969). German painter and printmaker. New Objectivity (Neue Sachlichkeit). "Fritz Perls".

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Albert Renger-Patzsch. NeueSachlichkeit, or New Objectivity t had its roots in 1920s German realism [...] The German photographer Albert Renger-Patzsch, one of the most well-known representatives of this style, claimed that the secret of good photography lay in its realistic qualities.

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New Objectivity: Modern German Art in the Weimar Republic, 1919–1933 at LACMA Through January 2016 Los Angeles

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Max Beckmann (1884-1950) was een Duits expressionistisch kunstschilder. Beckmann situeert zich tussen het expressionisme van Die Brücke en de anekdotiek van de Neue Sachlichkeit. In 1900 begon hij zijn schildersopleiding in Weimar. Hij vertrok als medisch vrijwilliger tijdens de Eerste Wereldoorlog eerst naar het Oost-Pruisisch front (1914), later naar Vlaanderen en Straatsburg (1915) waar hij mentaal instortte.

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New Objectivity: Modern German Art in the Weimar Republic, 1919–1933 | LACMA - Max Beckman

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The New Objectivity (in German: Neue Sachlichkeit) is a term used to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectivity, it was meant to imply a turn towards practical engagement with the world—an all-business attitude, understood by Germans as intrinsically American

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