Marcel Duchamp. BICYCLE WHEEL New York, 1951 (third version, after lost original of 1913) MoMA DADA

Marcel Duchamp. BICYCLE WHEEL New York, 1951 (third version, after lost original of 1913) MoMA DADA

Tipico prodotto dada è il ready-made (già fatti o già pronti), un prodotto ordinario tolto dall'oggetto originario e messo in mostra come opera d'arte. Quindi un'opera d'arte può essere qualsiasi cosa, quindi come conseguenza nulla è arte. L'opera dell'artista non consiste quindi nella sua abilità manuale, ma nelle idee che riesce a proporre. Infatti, il valore dei «ready-made» è solo nell'idea.

POST: 'The Duchamp Syndrome' Perhaps the happy ending was the one he never got.

Tipico prodotto dada è il ready-made (già fatti o già pronti), un prodotto ordinario tolto dall'oggetto originario e messo in mostra come opera d'arte. Quindi un'opera d'arte può essere qualsiasi cosa, quindi come conseguenza nulla è arte. L'opera dell'artista non consiste quindi nella sua abilità manuale, ma nelle idee che riesce a proporre. Infatti, il valore dei «ready-made» è solo nell'idea.

"Marcel Duchamp, arguably the most influential artist of the 20th Century!" Any arguments?

"Marcel Duchamp, arguably the most influential artist of the 20th Century!" Any arguments?

Marcel Duchamp "The wheel" 1913; No todas las obras de ate son producto de un alto grado de habilidad, este readymade es un ejemplo.

Marcel Duchamp "The wheel" 1913; No todas las obras de ate son producto de un alto grado de habilidad, este readymade es un ejemplo.

Bicycle wheel, Marcel Duchamp. The original from 1913 was lost, and Duchamp recreated the sculpture in 1951, 1964

Bicycle wheel, Marcel Duchamp. The original from 1913 was lost, and Duchamp recreated the sculpture in 1951, 1964

Marcel Duchamp photo Marvin Lazarus (1918–1982)  1962. Taken at the Museum of Modern Art on the final day of the “The Art of Assemblage” exhibition in 1961. The exhibition included thirteen of Duchamp’s works. Lazarus’s image captures Duchamp with his artwork: he stands framed within the spokes of his Bicycle Wheel, gazing up at his last painting, Tu m’, with one arm familiarly tossed around the shoulder of his Fountain.

Marcel Duchamp photo Marvin Lazarus (1918–1982) 1962. Taken at the Museum of Modern Art on the final day of the “The Art of Assemblage” exhibition in 1961. The exhibition included thirteen of Duchamp’s works. Lazarus’s image captures Duchamp with his artwork: he stands framed within the spokes of his Bicycle Wheel, gazing up at his last painting, Tu m’, with one arm familiarly tossed around the shoulder of his Fountain.

Marcel Duchamp smoking Cigar next to Bicycle Wheel, Duchamp Retrospective, Pasadena Art Museum, San Francisco 1963, vintage gelatin silver print Julian Wasser

Marcel Duchamp smoking Cigar next to Bicycle Wheel, Duchamp Retrospective, Pasadena Art Museum, San Francisco 1963, vintage gelatin silver print Julian Wasser

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