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POST: 'The Duchamp Syndrome' Perhaps the happy ending was the one he never got.

Tipico prodotto dada è il ready-made (già fatti o già pronti), un prodotto ordinario tolto dall'oggetto originario e messo in mostra come opera d'arte. Quindi un'opera d'arte può essere qualsiasi cosa, quindi come conseguenza nulla è arte. L'opera dell'artista non consiste quindi nella sua abilità manuale, ma nelle idee che riesce a proporre. Infatti, il valore dei «ready-made» è solo nell'idea.

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Marcel Duchamp. BICYCLE WHEEL New York, 1951 (third version, after lost original of 1913) MoMA DADA

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Marcel Duchamp "The wheel" 1913; No todas las obras de ate son producto de un alto grado de habilidad, este readymade es un ejemplo.

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Marcel Duchamp photo Marvin Lazarus (1918–1982) 1962. Taken at the Museum of Modern Art on the final day of the “The Art of Assemblage” exhibition in 1961. The exhibition included thirteen of Duchamp’s works. Lazarus’s image captures Duchamp with his artwork: he stands framed within the spokes of his Bicycle Wheel, gazing up at his last painting, Tu m’, with one arm familiarly tossed around the shoulder of his Fountain.

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Marcel Duchamp, Bicycle Wheel, 1951 (third version, after lost original of 1913), metal wheel mounted on painted wood stool, 129.5 x 63.5 x 41.9 cm (The Museum of Modern Art), © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp

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Bicycle Wheel Marcel Duchamp 1964 (replica of 1913 original) Medium: Wheel, painted wood Dimensions: Diameter: 25 1/2inches (64.8cm) Base height: 23 1/2 inches (59.7 cm)

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Marcel Duchamp - 'Bicycle Wheel' - 1913. This was his first Ready-made and was created by repositioning a bicycle wheel on a stool, signing it and then calling it art, this is a very postmodern approach to design as it causes the viewer to question what constitutes art. (Postmodernism and Appropriation)

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Marcel Duchamp smoking Cigar next to Bicycle Wheel, Duchamp Retrospective, Pasadena Art Museum, San Francisco 1963, vintage gelatin silver print Julian Wasser

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