Mandy moore choreographer

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Mandy Moore Hairstyle - Medium Wavy Casual - Medium Brunette. Click on the image to try on this hairstyle and view styling steps!

Mandy Moore Hairstyle - Medium Wavy Casual - Medium Brunette. Click on the image to try on this hairstyle and view styling steps!

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Mandy Moore, choreographer of the new feature film LA LA LAND sits down with Dance Network correspondent Kristyn Burtt and gives the inside scoop on creating the film.

Mandy Moore, choreographer of the new feature film LA LA LAND sits down with Dance Network correspondent Kristyn Burtt and gives the inside scoop on creating the film.

Emmy-Nominated Choreographer Mandy Moore Returns to Choreograph FANTASY's Closing Number

Emmy-Nominated Choreographer Mandy Moore Returns to Choreograph FANTASY's Closing Number

Emmy-Nominated Choreographer Mandy Moore to Jazz Up FANTASY’s Opening Number

Emmy-Nominated Choreographer Mandy Moore to Jazz Up FANTASY’s Opening Number

Emmy-Nominated Choreographer Mandy Moore Returns to Choreograph FANTASY’s Closing Number (Photo credit: Bryan Steffy / WireImage / www.BryanSteffyPhoto.com).

Emmy-Nominated Choreographer Mandy Moore Returns to Choreograph FANTASY’s Closing Number (Photo credit: Bryan Steffy / WireImage / www.BryanSteffyPhoto.com).

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Caitlin Kinney and Jason Glover dance Lyrical Jazz to "Show Me Heaven" by Maria McKee. Choreography by Mandy Moore Se5

Caitlin Kinney and Jason Glover dance Lyrical Jazz to "Show Me Heaven" by Maria McKee. Choreography by Mandy Moore Se5

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'La La Land' choreographer Mandy Moore teaches USA TODAY how to dance the way Ryan Gosling and Emma Stone do in their 'A Lovely Night' tap number.

'La La Land' choreographer Mandy Moore teaches USA TODAY how to dance the way Ryan Gosling and Emma Stone do in their 'A Lovely Night' tap number.

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The film’s opening number was shot on the interchange between the 105 and 110 freeways. “I thought it was going to be dangerous because it was 100 feet in the air and you had to do all this choreography up there,” says Wasco. “So we measured it and actually taped out the whole arc of the freeway in the parking lot of our offices. We put the cars in the positions where they would be so Mandy Moore, the choreographer, was able to rehearse with the dancers.”

The film’s opening number was shot on the interchange between the 105 and 110 freeways. “I thought it was going to be dangerous because it was 100 feet in the air and you had to do all this choreography up there,” says Wasco. “So we measured it and actually taped out the whole arc of the freeway in the parking lot of our offices. We put the cars in the positions where they would be so Mandy Moore, the choreographer, was able to rehearse with the dancers.”

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