The score for John Cage's famous 4'33" music piece. No further words needed.

The score for John Cage's famous 4'33" music piece. No further words needed.

John Cage graphic score. Pionero de la música aleatoria, de la música electrónica y del uso no estándar de instrumentos musicales fue una de las figuras principales del avant garde de posguerra.

John Cage graphic score. Pionero de la música aleatoria, de la música electrónica y del uso no estándar de instrumentos musicales fue una de las figuras principales del avant garde de posguerra.

"Cleaning My Pen", ink on paper 14" x 18"  John Cage (American composer, music theorist, writer, and artist, 1912-1992)

"Cleaning My Pen", ink on paper 14" x 18" John Cage (American composer, music theorist, writer, and artist, 1912-1992)

John Cage's Graphic Score The innovative and influential American composer John Cage created a graphic score called “49 Waltzes for the Five Boroughs” as a tribute to the ever- changing city of New York. He superimposed 49 triangles on a map of New York City, using chance means to determine the locations of each angle. The listener or recorder was invited go to the apex of each angle and listen to or record the sounds of the city in that place.  *Rolling Stone Magazine, 1977.

John Cage's Graphic Score The innovative and influential American composer John Cage created a graphic score called “49 Waltzes for the Five Boroughs” as a tribute to the ever- changing city of New York. He superimposed 49 triangles on a map of New York City, using chance means to determine the locations of each angle. The listener or recorder was invited go to the apex of each angle and listen to or record the sounds of the city in that place. *Rolling Stone Magazine, 1977.

Le Laboratoire du GESTE - John Cage, Variations I-III ( 1961) Dans ces partitions graphiques, Cage utilise uniquement le cercle comme figure de notation, issue d’une disposition aléatoire des cercles sur les feuilles de papier, selon des principes établis par Cage (chevauchement, variables d’interpénétration), et ce pour mesurer l’espace et le temps propre à cette partition.

Le Laboratoire du GESTE - John Cage, Variations I-III ( 1961) Dans ces partitions graphiques, Cage utilise uniquement le cercle comme figure de notation, issue d’une disposition aléatoire des cercles sur les feuilles de papier, selon des principes établis par Cage (chevauchement, variables d’interpénétration), et ce pour mesurer l’espace et le temps propre à cette partition.

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