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Jeff Wall, A sudden gust of wind (after Hokusai), 1993. Transparency in light box, unique state. 250 x 397 cm. Tate, London. Purchased with the assistance from the Patrons of New Art through the Tate Gallery Foundation and from the National Art Collections Fund 1995.

Jeff Wall Exhibition Comes to the Museum of Contemporary Art

In another of Jeff Wall’s photo, we see a black man with his back facing the camera. He is in a brightly illuminated room with the ceiling full of light-bulbs. The room is cluttered and chaotic, and he is engrossed in his work. The art-piece exposes the black man’s private world, such that the viewer cannot ignore his presence, his strength, or his poverty.

Staged photography of Jeff Wall

Jeff Wall | Summer Afternoons | 2013

Jeff Wall | Summer Afternoons | 2013

Positionen der Gegenwartsfotografie: „The Lucid Evidence“

Positionen der Gegenwartsfotografie: „The Lucid Evidence“

Jeff walls: I have selected this photograph because I think that the use of lighting has created another texture and colour to the rustic bricks. I think if I can bring this across to my work, it could create entrusting effects on the timber and metal work of the sheds.

Jeff walls: I have selected this photograph because I think that the use of lighting has created another texture and colour to the rustic bricks. I think if I can bring this across to my work, it could create entrusting effects on the timber and metal work of the sheds.

JEFF WALL http://www.widewalls.ch/artist/jeff-wall/  #contemporary  #art  #photography

JEFF WALL http://www.widewalls.ch/artist/jeff-wall/ #contemporary #art #photography

Jeff Wall, La Chambre détruite (1978) est sa première photographie célèbre s’inspirant du tableau La Mort de Sardanapale, de Delacroix. À nous d’imaginer ce qu’il s’est passé, ce qui a pu conduire à cette destruction. Des indices sont laissés dans ce chaos, montrant l’intimité de la vie de cette femme. Seule chose intacte, la petite statuette de la danseuse dominant le carnage, ressemblant au roi dans la peinture de Delacroix.

Jeff Wall, La Chambre détruite (1978) est sa première photographie célèbre s’inspirant du tableau La Mort de Sardanapale, de Delacroix. À nous d’imaginer ce qu’il s’est passé, ce qui a pu conduire à cette destruction. Des indices sont laissés dans ce chaos, montrant l’intimité de la vie de cette femme. Seule chose intacte, la petite statuette de la danseuse dominant le carnage, ressemblant au roi dans la peinture de Delacroix.

Jeff Wall, A ventriloquist at a birthday party in October 1947

Jeff Wall, A ventriloquist at a birthday party in October 1947

Jeff Wall's homage to Hokusai, 'A Sudden Gust of Wind

Jeff Wall's homage to Hokusai, 'A Sudden Gust of Wind

JEFF WALL - 1998, Image Polishing

JEFF WALL - 1998, Image Polishing

Jeff Wall  The Smoker, 1986  transparency in lightbox,  87,5 x 104 cm  Collection Christa Döttinger  Courtesy of the artist  © Jeff Wall

Jeff Wall The Smoker, 1986 transparency in lightbox, 87,5 x 104 cm Collection Christa Döttinger Courtesy of the artist © Jeff Wall

Jeff Wall: room guide, room 3 | Tate

Jeff Wall: room guide, room 3 | Tate

Jeff Wall Canadian 1946- 'The Destroyed Room' 1978

Jeff Wall Canadian 1946- 'The Destroyed Room' 1978

Jeff Wall

Jeff Wall

jeff wall 1989 the drain - prepubescent girls, infront of a hole, lots of symbolic sexual ideas here. all set up.

jeff wall 1989 the drain - prepubescent girls, infront of a hole, lots of symbolic sexual ideas here. all set up.

Jeff Wall. Outburst; 1989. transparency in light box

Jeff Wall. Outburst; 1989. transparency in light box