Asger Jorn & Guy Debord | Page from 'Fin de Copenhague' | Published by Bauhaus Imaginiste | 1957 #situationist

Asger Jorn & Guy Debord | Page from 'Fin de Copenhague' | Published by Bauhaus Imaginiste | 1957 #situationist

Example of Detournement technique. Page from "Memoires." Guy Debord and Asger Jorn, 1959. Resource: Kagablog. (n.d.). Retrieved from http://kaganof.com/kagablog/category/contributors/the-society-of-the-spectacle/

Example of Detournement technique. Page from "Memoires." Guy Debord and Asger Jorn, 1959. Resource: Kagablog. (n.d.). Retrieved from http://kaganof.com/kagablog/category/contributors/the-society-of-the-spectacle/

Mémoires (Memories) is an artist's book made by the Danish artist Asger Jorn in collaboration with the French artist and theorist Guy Debord. Printed in 1959, it is the second of two collaborative books by the two men whilst they were both members of the Situationist International.

Mémoires (Memories) is an artist's book made by the Danish artist Asger Jorn in collaboration with the French artist and theorist Guy Debord. Printed in 1959, it is the second of two collaborative books by the two men whilst they were both members of the Situationist International.

P. 9: The supreme "separation", the separation that affects relational channels, represents the final stage in the transformation to the "Society of the Spectacle" as described by Guy Debord. This is a society where human relations are no longer "directly experienced", but start to become blurred in their "spectacular" representation.

P. 9: The supreme "separation", the separation that affects relational channels, represents the final stage in the transformation to the "Society of the Spectacle" as described by Guy Debord. This is a society where human relations are no longer "directly experienced", but start to become blurred in their "spectacular" representation.

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