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Kandinsky on the Spiritual Element in Art and the Three Responsibilities of Artists

EL PUNTO como elemento de gran potencia expresiva- Máximo exponente del arte abstracto. Durante su enseñanza en la casa Bauhaus Kandinsky realizó esta pieza como desarrollo de su estudio sobre la forma.

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1950s. Variation on neo-concrete artist Max Bill who was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer, who trained at the Bauhaus, under Kadinsky, Klee, and Schlemmer.

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Gunta Stolzl | Bauhaus Weaver and Textile Designer I had to pin this one!! One of sections to complete within my project is "Looking at how repeat pattern is used within the art movement historically and culturally" Bauhaus was a classic art movement. I adore the colour of Gunta Stolzl.

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Weimar Travel Guide

LA NUEVA TIPOGRAFÍA (Palo seco) S.XX / Es el movimiento tipográfico alemán desarrollado en 1920 y 1930. Influencias de la BAUHUAS (1923)

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Variation 12 1938. Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929.

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Josef Albers' colour field paintings (Homage to the Square Ascending) http://www.elledecor.com/interior-design-blogs/i_design/color_genius_josef_albers

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MOVEMENT STUDY: 'DAS TRIADISCHES BALLETT,' OSKAR SCHLEMMER, AND THE BAUHAUS THEATER

MOVEMENT STUDY: 'DAS TRIADISCHES BALLETT,' OSKAR SCHLEMMER, AND THE BAUHAUS…

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