Aesthetics (n.) Aesthetics is a branch of philosophy dealing with the nature of art, beauty and taste, with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgements of sentiment and taste.
When I came to China I thought perhaps it would just be for one month, but then I had to stay for ten years – because if I had just stayed for a few moments, I could not have completely changed my approach to everything. If I stay in China and if I want to learn the aesthetic philosophy, I should stay a long time and speak Chinese, think with Chinese thoughts and dream with Chinese dreams. After that, your perception of reality & your relationship with human beings – everything changes.
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A Sister’s Eulogy for Steve Jobs // Novelty was not Steve’s highest value. Beauty was. // His philosophy of aesthetics reminds me of a quote that went something like this: “Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.”
The crucial idea of the entire Game of Fifteen portfolio is tile as an objet d'art. Every collection is a genuine immersion into the aesthetic philosophy of an artist. The first collection was dedicated to Keith Haring, an iconic American artist and pioneer of the pop-art style. The second one was conceived and developed in collaboration with the Dutch artist Boris Tellegen.
The central philosophy of Kintsugi is that an object is made more beautiful by its history; when it is broken through time and usage, it accumulates a story. The name for this aesthetic philosophy and worldview is wabi-sabi: finding beauty in that which is imperfect, incomplete, impermanent, and marked by time. Contemporary artist TJ Volonis conducts studies on Kintsugi, applying the joinery techniques to sculpture and reclaimed tiles. #sculpture #sculptures #contemporarysculpture…
Part of the long-term exhibition The Peacock Room Comes to America, this presentation exemplifies Freer’s cosmopolitan aesthetic philosophy by juxtaposing biblical parchments with ceramics gathered from all over Asia and framed by Whistler’s brilliant blue and gold decorations.
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