A close up of Anoof's study from the work of Mark Powell. In addition to using pen Anoof also combined pen with acrylic washes and coloured pencil enabling him to add either midtones or highlights depending on the ground

A close up of Anoof's study from the work of Mark Powell. In addition to using pen Anoof also combined pen with acrylic washes and coloured pencil enabling him to add either midtones or highlights depending on the ground

Anoof page 3 comp 1. Here Anoof took inspiration from two very different artists one who drew/painted on top of paint splashed grounds and another who used vibrant colours and workeed on rich red backgrounds.

Anoof page 3 comp 1. Here Anoof took inspiration from two very different artists one who drew/painted on top of paint splashed grounds and another who used vibrant colours and workeed on rich red backgrounds.

Anoof was inspired by the fractured light when visiting a cathederal in Antwerp as it reminded him of the geometric shapes seen in analytical cubism so starting with a realistic study from the statue of  the virgin and child he did a close up study of the child using oil pastels with strong geometric shapes accentuated with the bright colours that exaggerated the shines on the metal statue.

Anoof was inspired by the fractured light when visiting a cathederal in Antwerp as it reminded him of the geometric shapes seen in analytical cubism so starting with a realistic study from the statue of the virgin and child he did a close up study of the child using oil pastels with strong geometric shapes accentuated with the bright colours that exaggerated the shines on the metal statue.

Anoof wanted to experiment with different grounds and loved the work of Mark Powell especially his portraiture. He was fascinated by all the folds of skin he saw in the study of the old man. However he moved back to some study's of his cousin and worked with pen, pencil and coloured pencil. he also introduced some paint applied in very thin washes that still allowed the underlying grounds to be visible.

Anoof wanted to experiment with different grounds and loved the work of Mark Powell especially his portraiture. He was fascinated by all the folds of skin he saw in the study of the old man. However he moved back to some study's of his cousin and worked with pen, pencil and coloured pencil. he also introduced some paint applied in very thin washes that still allowed the underlying grounds to be visible.

Anoof Page 2 comp 1. here Anoof looked at both colour and texture of various shells and used coloured pencil and oil pastel on ablue ground. He also used sgraffito with the oil pastels to add more texture and indentationsto the scallop shell

Anoof Page 2 comp 1. here Anoof looked at both colour and texture of various shells and used coloured pencil and oil pastel on ablue ground. He also used sgraffito with the oil pastels to add more texture and indentationsto the scallop shell

In this page Anoof further examines cubism using oil pastel and acrylic. He started with a study from the work of Albert Gleizes and then looking at Picasso's method of breaking objects into smaller simpler shapes and lines he tried this with a picture from one of the statues he saw in Antwerp. He also tried another study of the child statue.

In this page Anoof further examines cubism using oil pastel and acrylic. He started with a study from the work of Albert Gleizes and then looking at Picasso's method of breaking objects into smaller simpler shapes and lines he tried this with a picture from one of the statues he saw in Antwerp. He also tried another study of the child statue.

This study by Anoof is pen, coloured pencil and acrylic washes on a brown envelope and was inspired by the work of Mark Powell

This study by Anoof is pen, coloured pencil and acrylic washes on a brown envelope and was inspired by the work of Mark Powell

Inspired by the work of Jean Metzinger, Anoof did a study from his portrait of his wife. Then drawing from his friend in Art class he drew a realistic portrait in pencil and used this study to create a cubist study. He combined the figure of his friend with the background from Metzingers work.

Inspired by the work of Jean Metzinger, Anoof did a study from his portrait of his wife. Then drawing from his friend in Art class he drew a realistic portrait in pencil and used this study to create a cubist study. He combined the figure of his friend with the background from Metzingers work.

This is Anoof's final piece. he has merged some of Mark powells techniques by adding paper segments to the base that had stamps and stamp marks. He used colour pencil and acrylic washes to capture the childs face, jam jar and teddy bear. The background and the childs t shirt and arm were completed using analytical cubism.

This is Anoof's final piece. he has merged some of Mark powells techniques by adding paper segments to the base that had stamps and stamp marks. He used colour pencil and acrylic washes to capture the childs face, jam jar and teddy bear. The background and the childs t shirt and arm were completed using analytical cubism.

Anoof comp 1 final piece. The final piece has an interesting patterned background of spiralling satin that contrat with the other textures of the glass dish and the shells. The spirals of the satin also echo the spirals seen in the shells.

Anoof comp 1 final piece. The final piece has an interesting patterned background of spiralling satin that contrat with the other textures of the glass dish and the shells. The spirals of the satin also echo the spirals seen in the shells.

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